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東京國立博物館保管十一面觀音像(多武峰舊藏)研究(下)=The Eleven-faced Avalokitesvara Statue Originally Collected in Tōnomine and Now Kept in Tokyo National Museum(Ⅱ)
Author 松田誠一郎 (著)=Matsuda, Seiichiro (au.) ; 王云 (譯)=Wang, Yun (tr.)
Source 敦煌研究=Dunhuang Research
Volumen.4 (總號=n.182)
Date2020
Pages1 - 17
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:東京藝術大學美術系;中央美術學院人文學院
Keyword檀像=dansō(sandalwood statue); 白旃檀=candana(white sandalwood); 十一面觀音=Eleven-faced Avalokitesvara; 數珠=aksasūtr-amuktā-hāra; 瓔珞; 阿地瞿多=Atikūta; 玄奘=Xuanzang; 神泰=Shentai; 定慧=Dinghui; 《十一面神咒心經》=Avalokitesvaraikādasa-mukha-dhāranī; 《十一面觀世音神咒經》=Avalokitesvara-ekad-asamukha-dhāranī; 《陀羅尼集經》=Dhāranī-sammucaya-sūtra; 印度=India; 唐=Tang dynasty; 長安=Chang’an; 慧日寺=Huiri Temple; 日本=Japan; 多武峰=Tōnomine
Abstract圍繞東京國立博物館保管十一面觀音像(多武峰舊藏),從其圖像、形式、風格以及文獻等方面展開討論,認為此像忠實地反映了與"檀像"概念形成密切相關的《十一面經》的造像法,是唐代、略晚於7世紀中期(與《十一面經》第一譯、第二譯出現的年代相當)的中央地區的作品。

This article is an in-depth study of the iconography, form, style, and literary source material of an Eleven-faced Avalokitesvara statue that was originally collected in Tōnomine in Nara but which has since been moved to Tokyo National Museum. The statue shows an almost word-to-word conformity with descriptive passages from the Ekādasamukha-sūtra, a Buddhist sutra which is closely related to the formation of the concept of "dansō" (sandalwood statue) in Buddhist art. The author concludes that the statue was a cooperative work by members of a prominent group of sculptors in the Chinese continent made in the Tang Dynasty sometime after the middle of the 7th century when the original and updated translations of the Ekādasamukha-sūtra were successively created.
Table of contents四 風格討論 2
(一)概觀 2
(二)與法隆寺十一面觀音像比較 4
(三)與中國大陸石雕比較 4
(四)關於風格討論的小結 7
五 文獻討論 7
(一)關於十一面觀音造像的最早史料 7
(二)關於定惠 11
(三)關於印度風格的相貌表現 14
六 結論 15
ISSN10004106 (P)
Hits272
Created date2020.11.11



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