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The Power and Authority of Maitreya in Mongolia Examined Through Mongolian Art |
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Tsultemin, Uranchimeg
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| Source |
Buddhism in Mongolian History, Culture, and Society
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| Date | 2015.01.30 |
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| Publisher | Oxford University Press |
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| Publisher Url |
https://oxford.universitypressscholarship.com/
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| Location | New York, NY, US [紐約, 紐約州, 美國] |
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| Content type | 專題研究論文=Research Paper |
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| Language | 英文=English |
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| Keyword | Maitreya; Maitreya Procession; Zanabazar; Ikh Khüree; Maitreya Temple; Gandantegchenling Monastery; Agwaankhaidav |
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| Abstract | The chapter focuses on Maitreya, the future historical Buddha, one of the most important deities in Buddhism throughout Asia. Believed to reside in the Tuṣita heaven as a Bodhisattva, Maitreya became particularly important in the Vajrayāna Buddhist traditions of Tibet and Mongolia. This chapter explores Maitreya’s preeminence in late Mongolian Buddhist art by examining the images of Maitreya, Maitreya iconography, depictions of Maitreya Procession, and temples of Maitreya. According to historical, textual sources, the Maitreya Procession was introduced in Tibet in 1409 by the reformer and founder of the dGe lugs Order in Tibet, Tsong kha pa. It was imported to Mongolia in the seventeenth century and henceforth became central to Mongolian Buddhist ritual practices. This chapter covers the Maitreya ritual texts dating from nineteenth-century Mongolia, Mongolian temples, and production of the images of Maitreya in Ikh Khüree Monastery. |
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| Table of contents | Introduction
Zanabazar’s Statues Of Maitreya
Maitreya In The Mural Paintings In Altan Khan’s Maitreya Monastery
A Grand Maitreya Statue Of Ikh Khüree
The Maitreya Procession And Longevity Rite In The Paintings Of The Eighth Jebtsundamba Bogd Gegeen
Conclusion |
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| ISBN | 9780199958641 (hardback); 9780199958665 (paperback); 9780199958658 (ebook); 9780190206819 (online content) |
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| DOI | DOI:10.1093/acprof:oso/9780199958641.003.0008 |
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| Hits | 100 |
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| Created date | 2020.11.13 |
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| Modified date | 2020.11.16 |
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