|
|
|
 |
|
|
|
|
|
|
Sanmi no Tsubone: Ashikaga Wife, Imperial Consort, Buddhist Devotee and Patron=三位局：足利将軍家の嫁、宮廷の局、そして仏教の信者・庇護者 |
|
|
|
| Author |
Fister, Patricia
|
|---|
| Source |
Japan Review: Journal of the International Research Center for Japanese Studies=日本研究=Nichibunken Japan Review=Bulletin of the International Research Center for Japanese Studies
|
|---|
| Volume | v.23 |
|---|
| Date | 2011.08 |
|---|
| Pages | 3 - 21 |
|---|
| Publisher | International Research Center for Japanese Studies=国際日本文化研究センター |
|---|
| Publisher Url |
http://www.nichibun.ac.jp/pc1/en/
|
|---|
| Location | 京都, 日本 [Kyoto, Japan] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 英文=English |
|---|
| Note | Author Affiliations: International Research Center for Japanese Studies |
|---|
| Keyword | 三位局=Sanmi no Tsybone; 清原(古市)胤子=Kiyohara(Furuichi) Taneko; 法誓院=Hoseiin; 法華宗=Hokke Sect; 法華経=Lotus Sutra; 日護=Nichigo; 證光寺=Shokoji; 実相院=Jissoin; 大雲寺=Daiunji; 三宝寺=Sanpoji |
|---|
| Abstract | The article examines the life of Kiyohara(Furuichi) Taneko, better known as Sanmi no Tusbone(1583-1658), to spotlight the role that Buddhism played in the lives of elite widowed women. Married to the son of an Ashikaga shogun and later, after his death, to Emperor Goyōzei(r.1586-1611), she bore three sons who became heads of imperial monasteries called monzeki. After Goyōzei's death, she retired to Iwakura north of Kyoto and constructed a splendid hall and other buildings on the grounds of her new residence, which she filled with images symbolic of teachings of the Lotus Sutra. The sculptures were all carved by the famous Nichiren priest-sculptor, Nichigo(1580-1649). Sanmi no Tsubone also patronized the neighboring temples, Jissōin and Daiunji, donating a set of paintings to the former and commissioning a substitute image of the latter's hibutsu. After her death, Sanmi no Tsubone's residence was officially designated as the temple Shōlōji by Emperor Gomizunoo and, for the next century and a half, it was headed by a succession of Nichiren priests. In the second half of the nineteenth century, the temple fell into ruin and the images and records were transferred to Daiunji and JIssōin. I seek to recreate the layout of Sanmi no Tsubone's "Lotus Sutra universe" through extant images, textual records, and images by the same sculptor preserved at other temples. |
|---|
| Table of contents | Introduction 3
Sanmi no Tsubone Transfors Her Residence into a Sacred Realm 7
|
|---|
| ISSN | 09150986 (P); 24343129 (E) |
|---|
| DOI | 10.15055/00000191 |
|---|
| Hits | 118 |
|---|
| Created date | 2021.02.01 |
|---|
| Modified date | 2021.02.03 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
