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Preaching Mudrā in the Making and Visualization of Sukhāvatī in Gandhāran Art |
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| Author |
Tanabe, Katsumi
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| Source |
創価大学国際仏教学高等研究所年報=Annual Report of the International Research Institute for Advanced Buddhology at Soka University=ソウカ ダイガク コクサイ ブッキョウガク コウトウ ケンキュウジョ ネンポウ
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| Volume | v.24 |
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| Date | 2021 |
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| Pages | 231 - 240 |
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| Publisher | 創価大学・国際仏教学高等研究所 |
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| Publisher Url |
http://iriab.soka.ac.jp/publication/
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| Location | 八王子, 日本 [Hachioji, Japan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Keyword | dharmacakramudrā; abhyamudrā; Gandhāra; Amida; Sukhāvatī |
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| Abstract | Two mudrās signify preaching in Gandhāran Buddhist art, namely the abhaya (-dāna or
-hasta-) mudrā and the dharmacakra (-pravartana-) mudrā. The former is original and
chronologically precedes the latter. The dharmacakramudrā appeared in Gandhāra either
under the influence of South Indian art or was independently invented by Gandhāran
sculptors. It was first applied, almost exclusively, to the preaching Buddha Amida in
Sukhāvatī because the abhayamudrā has multiple meanings and does not always imply
preaching. The new dharmacakramudrā replaced the abhayamudrā within the imagery of
Sukhāvatī. It was later applied to independent cultic Buddha and bodhisattva images. This
transition is observed in some relief panels depicting the First Sermon of the Buddha
Śākyamuni at Sārnāth. |
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| Table of contents | Introductory Remarks 231
The Preaching Buddha Amida and Audience of Bodhisattvas 232
The Preaching Buddha Amida and Audience of Bodhisattvas 234
Dharmacakramudrā in the Scenes of the First Sermon at Sārnāt 236
Concluding Remarks 237
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| ISSN | 13438980 (P) |
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| Hits | 41 |
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| Created date | 2021.11.19 |
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| Modified date | 2021.11.24 |
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