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高原上的愛侶-喀什米爾〈烏瑪-大自在天〉造像之年代探析
Author 鍾子寅 (著)
Source 故宮文物月刊=National Palace Museum Monthly of Chinese Art
Volumen.9 (總號=n.402)
Date2016.09
Pages72 - 83
Publisher國立故宮博物院
Publisher Url https://www.npm.gov.tw/
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Abstract「此國不甚崇敬(佛教),外道天祠特留意焉。」(玄奘《大唐西域記.卷三》)自符秦(三五○ ∼三九四)之際佛教初傳中國北方,喀什米爾即以佛教盛行之地載於史籍,治佛教史乃至於佛教藝術史之學人也多關注於此;然相較於佛教於喀什米爾的屢有興衰,印度教事實上有更流遠源長的傳統。本文以院藏一件精美的印度教造像,引領讀者回憶喀什米爾被遺忘的片面︙︙
Table of contents喀什米爾的歷史、信仰及其對週邊的影響 75
喀什米爾的造像風格史 76
一、喀什米爾谷地之考古發現 76
二、藏區寺廟保存之喀什米爾造像 76
院藏〈烏瑪—大自在天〉之年代 82

ISSN10119078 (P)
Hits147
Created date2022.03.18
Modified date2022.03.18



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