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禪意・畫境-黃坤成水墨創作研究=Zen Perspective and Artistic Conception - Research on Huang Kuncheng's Ink Painting Creation
Author 黃坤成 (著)=Huang, Kun-cheng (au.)
Publisher Url
Location新北市, 臺灣 [New Taipei City, Taiwan]
Content type博碩士論文=Thesis and Dissertation
Publication year110
Keyword意境=artistic conception; 禪境=Zen state; 水墨畫=ink painting; 意念擬真=simulacrum of ideas; 當代水墨=contemporary ink painting
第四章 「創作解析」,以一個藝術創作者的作品分類,共有以物寄情系列、禪意畫境系列、書畫共鳴系列、當代書畫相融系列四個類別展示及簡介,將筆者的感觸與他人的想法以及認知,透過這些作品,讓腦海中產生更多意識的交流。

This thesis " Zen Perspective and Artistic Conception - Research on Huang Kuncheng's Ink Painting Creation" aims at the use of painting images, the context of written words and the beauty of pointillism based on the aesthetics of traditional ink painting, combining the characteristics of Eastern Zen and Western contemporary creation.
Apply the thinking of "virtual environment to create reality" to explore how to use the simulacrum of ideas as a surreal expression to present the reflection of fiction and reality. The core of the beauty of life, the beauty of thought and the beauty of the soul is to break the restrictions in thought, integrate with each other, and pursue the artistic expression of inner desire. From the standpoint of free creation, one should not look forward and backward, and use one's own basic belief in art according to one's own ideals. direction creation.
Aiming at Eastern Zen and meditation, spiritual exploration of Eastern and Western psychology, and the influence of Eastern and Western artists on creative forms, connotations, and ideas, feel the calming effect of meditation and meditation on emotions, experience the voice of inner intuition, and through perception Shape images through objects, create realms, and construct the "meaning" outside the image, the "emotion" outside the words, and the "reason" outside the form; the understanding of the current state of affairs, through the works to express the true feelings of the heart, based on The virtual environment presents the reality as a creative work.
The first chapter of this research, "Introduction", explains the background and motivation, purpose, content and research methods of this creative research.
The second chapter, "Research on Documents", attempts to discuss the aesthetic thinking of Chinese painting, the influence of Zen Buddhism on Chinese painting, the thinking of images, and related artists who affect the aesthetic sense of creation.
The third chapter, "Creative Concepts and Practices", explains Zen, the establishment of the concept of painting, the expression of creative forms and media, and the analysis and experience of the creative process.
Chapter 4, "Creation Analysis", categorizes the works of an artist. There are four categories of exhibitions and introductions: the series of objects, the series of Zen paintings, the series of resonance of calligraphy and painting, and the series of contemporary calligraphy and painting. Through these works, there will be more conscious communication in the mind.
Table of contents謝誌 I
摘要 II
Abstract III
目次 IV
第一章 緒論 1
第一節 研究動機 2
第二節 研究目的 4
第三節 研究內容 5
第四節 研究方法 6
第二章 文獻探討 7
第一節 中國繪畫美學思維 8
第二節 禪宗思想對中國繪畫的影響 14
第三節 形象的思維 21
第四節 影響創作美感的相關藝術家34
第三章 創作理念與實踐 41
第一節 禪意、畫境創作觀的建立 42
第二節 創作形式與媒材表現 44
第三節 創作過程 53
第四章 創作解析 55
第一節 以物寄情系列 56
第二節 禪意畫境系列 65
第三節 書畫共鳴系列 78
第四節 當代書畫相融系列 87
第五章 結論 101
參考書目 102
Created date2022.10.14
Modified date2023.01.17

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