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張掖大佛寺西遊記與觀音救難壁畫組合考釋——兼談河西地區以觀音為中心的信仰 |
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| Author |
魏文斌 (著)
;
張利明 (著)
;
吳夢帆 (著)
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| Source |
石窟寺研究
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| Volume | v.7 |
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| Date | 2017 |
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| Pages | 252 - 264 |
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| Publisher | 文物出版社 |
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| Publisher Url |
https://www.wenwu.com/
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 張掖大佛寺=Dafosi Monastery in Zhangye; 西游記壁畫=the murals of Journey to West; 觀音救難壁畫= the murals of Guanyin’s story of saving life from sufferings; 組合=combination; 觀音信仰=the worship to Guanyin |
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| Abstract | 張掖大佛寺臥佛殿保存著精美的西游記壁畫和觀音救難壁畫,這二者是作為組合整體繪制的。長期以來,研究者偏重于對西游記壁畫的研究而忽略了觀音救難壁畫,導致研究難以深入。本文首次將二者結合起來,對觀音救難壁畫進行了介紹和釋讀。并對兩者的組合形式進行了考察,發現它們以繪塑結合的形式共同反映了觀音信仰。最后,通過與河西地區其他石窟中同類圖像的對比,發現這種組合在觀音信仰的統攝下從西夏時期一直發展到清代,并在張掖地區成為一種普遍現象。
The hall of reclining Buddha at Dafosi Monastery preserves exquisite murals which is a combination of the pilgrimage journey to west and Guanyin’s story of saving life from sufferings.Scholars don’t lay particular stress on Guanyin’s story of saving life from sufferings,but on the pilgrimage journey to west.It leads to a shallow research degree.This paper combines the two murals firstly,focuses on explaining Guanyin’s story of saving life from sufferings.What’s more,this paper finds that the belief of Guanyin under a background of a combination of painting and sculpture.Finally,compared with the other murals in Hexi area,the authors find this combination lasts from the Western Xia Regime to the Qing Dynasty,and it also becomes a common phenomenon. |
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| Hits | 154 |
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| Created date | 2022.11.18 |
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| Modified date | 2022.11.18 |
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