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莫高窟早期忍冬紋樣的源流=The Origins of the Honeysuckle Patterns in Early Mogao Caves |
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| Author |
趙聲良 (著)=Zhao, Sheng-liang (au.)
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張春佳 (著)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.191) |
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| Date | 2022 |
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| Pages | 49 - 62 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 敦煌研究院 |
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| Keyword | 莫高窟=Mogao Grottoes; 忍冬紋=honeysuckle pattern; 印度=India; 希臘=Greece; 犍陀羅=Gandhara |
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| Abstract | 針對莫高窟早期忍冬紋的樣式，通過兩條線索來追溯其源流：一是來自西方的影響，包括古代兩河流域、古希臘、犍陀羅傳來的藝術樣式；二是先秦兩漢以來的中國傳統造型藝術及南北朝時期來自中原的新藝術風格。通過忍冬紋樣式的不同類型不同時期的演變，可以看出西方與東方兩個方面的影響，從而反映出敦煌藝術在不同文化、不同審美意識發展交融中形成的豐富藝術特色。
This paper traces the origins of the decorative honeysuckle patterns in early Mogao caves along two lines of
investigation. The first traces the Western influences evident in the patterns, namely the artistic styles of ancient Mesopotamia,
ancient Greece, and Gandhara. The second line of investigation focuses on the Eastern influences behind the pattern, including
traditional Chinese plastic arts from the pre-Qin and Han dynasties and the artistic styles of central China during the Northern and
Southern dynasties. Tracing the historical development and cultural influences that produced the honeysuckle patterns grants a
comprehensive view of both the uniquely regional artistic characteristics and the globally aware aesthetic consciousness of
Dunhuang art. |
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| Table of contents | 一來自西方的植物紋樣
1. 古希臘的陶瓶裝飾紋樣
2. 中亞地區的裝飾紋樣
3. 中國新疆石窟的裝飾紋樣
二本土傳統及中原新樣式
1. 先秦至漢代的傳統紋樣
2. 云岡石窟的忍冬紋
3. 南朝的忍冬紋
小結 |
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| ISSN | 10004106 (P) |
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| DOI | 10.13584/j.cnki.issn1000-4106.2022.01.004 |
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| Hits | 81 |
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| Created date | 2023.03.20 |
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| Modified date | 2023.03.20 |
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