|
|
|
 |
|
|
|
|
|
|
莫高窟第361窟壁畫建筑彩畫裝飾藝術初探=A Preliminary Study on the Decorative Art of the Architectural Color Paintings in Mogao Cave 361 |
|
|
|
| Author |
孟祥武 (著)=Meng, Xiang-wu (au.)
;
楊潤澤 (著)=Yang, Run-ze (au.)
;
裴強強 (著)=Pei, Qiang-qiang (au.)
;
葉明暉 (著)=Ye, Ming-hui (au.)
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.1 (總號=n.191) |
|---|
| Date | 2022 |
|---|
| Pages | 87 - 98 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 蘭州理工大學設計藝術學院
西安建筑科技大學建筑學院
敦煌研究院保護研究所 |
|---|
| Keyword | 莫高窟第361窟=Mogao cave 361; 壁畫=wall painting; 建筑彩畫=architectural color painting; 藝術特征=artistic features |
|---|
| Abstract | 由于我國唐代及以前的木構建筑遺存甚少，學界對建筑彩畫的研究多集中于明清官式彩畫，對明清之前的彩畫研究較為薄弱。然而，敦煌莫高窟壁畫中較好地保留了中唐至西夏時期的建筑彩畫圖像，是豐富我國建筑彩畫的重要史料。因此，文章從構圖比例、紋樣圖案、色彩配置等三方面系統分析了莫高窟第361窟建筑彩畫的藝術特征，并與現存建筑彩畫實例進行對比，發現第361窟建筑彩畫裝飾藏式風格突出、特征元素豐富，對研究吐蕃時期敦煌石窟建筑藝術和完善我國早期藏族建筑彩畫形制特征具有雙重價值與意義。
As few remains of ancient buildings built during or prior to the Tang dynasty have been preserved until today,
research on architectural color paintings has mainly focused on the official color paintings of the Ming and Qing dynasties.
Research on color paintings prior to the Ming and Qing dynasties is severely lacking. The murals in Dunhuang Mogao caves are
accompanied by many well-preserved architectural color paintings made between the middle Tang and Western Xia dynasties
and can provide important historical material to enrich research on this genre of Chinese painting. This paper systematically
analyzes the artistic characteristics of the architectural color paintings in Mogao cave 131 from the perspectives of compositional
proportion, overall pattern, and color configuration, and then compares them with other extant architectural color paintings. The
conclusion of this analysis is that the paintings in cave 361 show prominent Tibetan stylistic characteristics. These paintings are of
great significance for studying the architectural art created in Dunhuang caves during the Tibetan Occupation period, and for
improving our understanding of the shape and proportion of early Tibetan architectural color paintings in China. |
|---|
| Table of contents | 一莫高窟第361窟壁畫建筑彩畫研究現狀
二莫高窟第361窟壁畫建筑彩畫概況
（一）莫高窟第361窟壁畫建筑彩畫內容概述
（二）莫高窟第361窟壁畫建筑彩畫類型分析
三莫高窟第361窟壁畫建筑彩畫構成要素
（一）構圖比例
（二）紋樣圖案
（三）色彩配置
四莫高窟第361窟壁畫建筑彩畫與現存實物之對比
（一）構圖比例
（二）紋樣圖案
五結論 |
|---|
| ISSN | 10004106 (P) |
|---|
| DOI | 10.13584/j.cnki.issn1000-4106.2022.01.008 |
|---|
| Hits | 119 |
|---|
| Created date | 2023.03.22 |
|---|
| Modified date | 2023.03.22 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
