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四川安岳近年新發現地藏十王造像研究=A Study on Newly Discovered Images of Ksitigabha and the Ten Kings from Anyue, Sichuan Province
Author 張亮 (著)=Zhang, Liang (au.)
Source 敦煌研究=Dunhuang Research
Volumen.1 (總號=n.191)
Date2022
Pages99 - 106
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:四川大學考古文博學院
Keyword安岳=Anyue; 敦煌=Dunhuang; 地藏十王=Ksitigabha and the Ten Kings; 粉本=draft
Abstract近年在安岳菩薩巖、菩薩灣和石鑼溝摩崖造像中新發現的3鋪地藏十王造像,內容、圖式各不相同,是地藏十王圖像發展序列的早期作品,開鑿于10—11世紀中葉,出現諸多不見于四川地區同類造像的新要素和圖式。四川摩崖造像,敦煌石窟壁畫和藏經洞所出紙、絹、麻布畫中的地藏十王圖像均由成都傳入,基本的內容要素和圖式類型在其初始流行的階段就已經固定。四川地區地藏十王造像圖式類型更為豐富,而敦煌地區獨立表現的地藏十王圖像所據粉本相對統一。

Three images of Ksitigabha and the Ten Kings were recently discovered among the cliff engravings at Pusayan,
Pusawan and Shiluogou in Anyue. The images contain different contents and compositions but are all early visual works created
from the 10th to the middle of the 11th century depicting Ksitigabha and the Ten Kings. What is more, these engravings exhibit
new elements and compositional styles that are rarely seen in similar images from the Sichuan regions. Because the basic content
and composition of Buddhist art thematically focused on Ksitigabha and the Ten Kings quickly became organized around a common
standard, it can be concluded that the images from the cliff engravings in Sichuan and similar images in Dunhuang cave murals and in
the paper, silk and hemp paintings found in the Dunhuang Library Cave all find a common origin in the Buddhist art of Chengdu.
Versions of these artworks from Sichuan evince rich detail and relatively intricate composition, while images depicting the same
theme that were separately rendered in Dunhuang and the surrounding regions were created based on a relatively unified draft.
Table of contents一造像內容
(一)坪河鄉菩薩巖第1龕
(二)岳陽鎮菩薩灣第3龕
(三)長河源鄉石鑼溝第2龕
二造像年代
三圖式和內容特點
四敦煌和四川地區早期地藏十王圖像關系再探
ISSN10004106 (P)
DOI10.13584/j.cnki.issn1000-4106.2022.01.012
Hits85
Created date2023.03.22
Modified date2023.03.22



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