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Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation in Japanese Hell Painting
Author Hirasawa, Caroline (著)
Source Artibus Asiae
Volumev.72 n.1
Date2012
Pages5 - 51
PublisherMuseum Rietberg Zurich
Publisher Url http://www.artibusasiae.com
LocationZurich, Switzerland [蘇黎世, 瑞士]
Content type期刊論文=Journal Article
Language英文=English
NoteAuthor affiliation: Waseda University
AbstractAt the bottom of a thirteenth-century painting, a large cauldron cracks into pieces. As water streams through the fissures and douses flames below, lotus flowers bloom from within the ruptured vessel, three bearing newborn babies. This image plays a critical role in a narrative network composed throughout fifteen hanging scrolls that illustrate the six realms of transmigration (rokudō). The skillful brushwork, venerability, and fine condition of this scroll set, entitled Rokudō-e (in the collection of the temple Shōjuraigōji, Shiga prefecture), make it a landmark in the history of Japanese painting. Moreover, multiple copies brought its pictorial details into wide circulation; passages conceived or assembled in the Rokudō-e are clearly evident in many later paintings, even in works that adhere to different genres. Variations on the cauldron-lotus-baby motif appear in a few other thirteenth-century paintings, and in numerous subsequent medieval and early-modern images. While we cannot definitively ascertain that the motifs dissemination originated with the Shōjuraigōji scroll set, the Rokudō-e contains one of the oldest surviving examples and influenced generations of painters.
Table of contentsShōjurraigōji's Rokudō-e 6
Hell's Cauldron 8
Eleventh-Hour Rescues 10
Textual Precedents 15
Seeking Salvation in Chinese Cauldron Illustrations 33
Babies and Blossoms 38
The Japanese Medieval Recalibration of Salvation 44
Acknowledgements 48
Glossary 49
ISSN00043648 (P)
Hits45
Created date2023.08.04
Modified date2023.08.04



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