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Relocating and Relocalizing Mount Wutai: Vision and Visuality in Mogao Cave 61 |
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| Author |
Lin, Wei-Cheng (著)
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| Source |
Artibus Asiae
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| Volume | v.73 n.1 |
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| Date | 2013 |
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| Pages | 77 - 136 |
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| Publisher | Museum Rietberg Zurich |
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| Publisher Url |
http://www.artibusasiae.com
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| Location | Zurich, Switzerland [蘇黎世, 瑞士] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | Author affiliation: University of Chicago |
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| Abstract | The tenth century in China was a period of transition between two major dynasties. Political turmoil during its last decades ended the Tang Empire (618-907), dissolving the central power and leaving China in disunion until 960 when the Northern Song dynasty (960-1127) began to take control. Expecting a transitional style, art historians have focused almost exclusively on characteristics of the period that would eventually lead to important shifts and changes in the following dynasties. Only recently have scholars begun to reexamine the artistic creations of this period in terms of novelty, innovation, and diversity by exploring, for instance, regional styles and non-Chinese influences.' Mogao Cave 61, constructed sometime between 947 and 951, was a product of this period, but to a significant extent, also epitomized it. |
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| Table of contents | Sacred Mountain Transferrable 81
Vision and Visualization of Mount Wutai in Transmission 86
Localized Vision of Mount Wutai in Dunhuang 92
Relocating Mount Wutai in Cave 61 121
A Tripartite Zoning Space Inside Cave 61 121
The Sacred Mountain Zone: A Relocated Mount Wutai 123
A Mediated Vision of Mount Wutai behind the Back Screen 126
Conclusion 129
Displaying Mount Wutai in a Religious Spectacle 129
Maps 132
Texts 134
Glossary 135 |
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| ISSN | 00043648 (P) |
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| Hits | 33 |
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| Created date | 2023.08.04 |
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| Modified date | 2023.08.04 |
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