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佛殿的象征——山西大同仝家灣北魏佛教壁畫石槨=A Symbolic Dharma Hall: The Stone Chamber with Buddhist Murals of the Northern Wei Dynasty in Tongjiawan, Datong, Shanxi |
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李裕群 (著)=Li, Yu-qun (au.)
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| Source |
文物=Cultural Relics=文物參考資料
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| Volume | n.1 |
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| Date | 2022.01 |
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| Pages | 1, 52 - 61 |
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| Publisher | 文物出版社 |
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 機構：中國社會科學院考古研究所 |
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| Keyword | 繪畫技法; 佛教壁畫; 炳靈寺; 山西大同 |
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| Abstract | 仝家灣北魏邢合姜墓石槨四壁、頂部及槨門外兩側均繪有佛教壁畫，模擬了作為禮拜供養場所的佛殿或佛殿窟。從槨門外兩側的護法門神開始；之后是槨內禮拜的中心——正壁釋迦多寶佛和兩側佛像，突出了《法華經》信仰和法華觀法；接著為左右壁的佛像；最后為前壁上方的七佛，為禮拜者觀佛、獲得佛心作證，下部的二神獸則作為鎮墓獸。石槨壁畫的構成與繪畫技法主要與炳靈寺第169窟西秦壁畫有密切關系，推測其粉本可能源于長安。另外石槨壁畫也有涼州系統石窟壁畫的因素，甚至包括西域的影響，充分反映了絲綢之路與平城地區的佛教文化有著頻繁的交流和密切的關系。
Buddhist murals were found on the inner walls and top and both sides outside the door of the stone chamber in Xing Hejiang’s tomb of the Northern Wei Dynasty in Tongjiawan Village, simulating the dharma hall or dharma-hall cave that as worship places. Door guardians were painted on both outer sides of the chamber door. The Buddha Shakyamuni and Prabhutaratna, and other buddhas aside were painted at the center of the worship space-the main wall of the inner chamber, highlighting the belief in the Lotus Sutra and its dharma view. Buddhist figures are also on the left and right walls of the inner chamber. Finally, on the top of the front wall, the Seven Buddhas function as witnesses of worshipers who show reverence and adoration for buddhas, two tomb-guarding beasts decorated below. The composition and painting techniques of the stone chamber murals are closely related to the Western Qin murals in Cave 169 of the Bingling Temple, and the motif prototype may originate from Chang’an. Moreover, the murals also show elements of grotto murals of the Liangzhou system and even have the Western Regions influence, fully reflecting the frequent communication and close relationship of the Buddhist culture between the Silk Road and the Pingcheng areas. |
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| Table of contents | 一、石椁葬具—佛殿的象徵 52
1、北壁（正壁） 53
2、東、西壁 56
3、南壁（前壁） 57
4、頂部 57
二、人物形象與繪畫技法 57
1、人物形象 57
2、繪畫技法 58
三、石椁所反映的絲綢之路佛教石窟的影響 58 |
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| ISSN | 05114772 (P) |
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| Hits | 263 |
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| Created date | 2023.09.07 |
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| Modified date | 2023.09.07 |
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