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Cinematic Space and Time in the Huayan jing/Hwaŏm kyŏng |
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| Author |
Cho, Francisca (著)
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| Source |
International Journal of Buddhist Thought & Culture=국제불교문화사상사학회
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| Volume | v.34 n.1 Series Four |
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| Date | 2024.06 |
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| Pages | 19 - 54 |
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| Publisher | International Association for Buddhist Thought and Culture |
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| Publisher Url |
http://iabtc.org/
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| Location | Seoul, Korea [首爾, 韓國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | Author Affiliation: Georgetown University, USA. |
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| Keyword | Cosmology; ritual; cinema; dharmadhātu; mandalas; Indra’s net |
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| Abstract | The Buddhist text that originated as the Avataṃsaka-sūtra in India describes a universe that transcends our bounded experience of space and time and which enables instant access to Buddhahood. This reverses the ordinary understanding of enlightenment as both temporally and spatially distant. The premise of instantaneous Buddhahood is a ritual practice that has utilized both literary and visual strategies. When these practices are examined, it is possible to see them as precursors of cinema, with its ability to create an intentional space-time reality. Seeing cinema in this light also highlights the inherently ritual nature of the medium. |
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| Table of contents | Abstract 20
Introduction 21
Representing the Dharmadhātu: Mirrors and Mandalas 22
Holographic Linearity in the Daśabhūmikā 27
The Progression of Totality in the Gaṇḍavyūha 32
From Text and Image to Cinema 41
Notes 47
References 52 |
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| ISSN | 15987914 (P) |
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| DOI | 10.16893/IJBTC.2024.06.34.1.19 |
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| Hits | 14 |
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| Created date | 2024.08.13 |
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| Modified date | 2024.08.16 |
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