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Detached Hero, Attached Heroine: Buddhism, Authorship, and the Creation of a Literary Self |
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| Author |
Ama, Michihiro (著)
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| Source |
International Journal of Buddhist Thought & Culture=국제불교문화사상사학회
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| Volume | v.34 n.1 |
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| Date | 2024.06 |
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| Pages | 129 - 165 |
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| Publisher | International Association for Buddhist Thought and Culture |
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| Publisher Url |
http://iabtc.org/
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| Location | Seoul, Korea [首爾, 韓國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | Author Affiliation: Otani University, Japan. |
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| Keyword | Natsume Sōseki; Ishimure Michiko; Japanese Buddhism; Japanese literature; autobiographical fiction; the Pure Land |
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| Abstract | Autobiographical fiction was a popular genre of modern Japanese literature which dealt with the author’s deep introspection and featured their growing awareness of the self and others. The author’s Buddhist experience helps the main character understand the causes of their suffering, encourages the protagonist to engage with and overcome afflictions, and leads the protagonist to construct their relationships to others more meaningfully. This paper examines the correlation between Buddhism, the author, and the formation of a literary self in Natsume Sōseki’s Michikusa and Ishimure Michiko’s Kugaijōdo, respectively. The hero in Michikusa is constructed by the author who contemplated the state of death, suffered a near death experience, practiced Zen Buddhism, and was aspired to become a man who could overcome his egotism. Sōseki used the writing of autobiographical fiction as a device to transform his sense of selfhood through the narrator’s analysis of his literary alter ego and the protagonist. The heroine in Kugaijōdo is created by the author who was prone to the suffering caused by social injustice and economic hardship and who understood that the suffering of life-anddeath is the theme of Buddhism. Ishimure designated her first-person narrator “I,” her alter ego, to exercise empathy towards the characters of the Minamata disease victims and to consider the implications of the Pure Land. Despite the popular perception that Sōseki and Ishimure were great novelists of modern Japan, they were Buddhist practitioners. For them writing autobiographical fiction represented a new form of the Buddhist practice, while Buddhist words and symbols continued to appear in modern Japanese literature despite modernists’ tendency to separate Japan’s modernity from its premodern experience. |
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| Table of contents | Abstract 130
Introduction 131
Author, Narrator, and Hero in Michikusa 132
Traumatic Memory, Writing, and Zanki 133
Sōseki’s Writing Style and His Experience of Buddhism 139
A Brief Introduction to Kugaijōdo and the Minamata Disease Incident 143
Ambivalence of kugaijōdo 145
Ishimure’s Style of Writing 147
A Buddhist Family Altar and the Pure Land 150
Ishimure’s Suffering and Her Experience of Buddhism 153
Conclusion 156
Notes 158
Works Cited 162 |
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| ISSN | 15987914 (P) |
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| DOI | 10.16893/IJBTC.2024.06.34.1.129 |
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| Hits | 27 |
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| Created date | 2024.08.13 |
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| Modified date | 2024.08.16 |
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