 |
|
|
|
|
|
|
敦煌壁畫中的金剛經變研究=The Study of The Illustrations to Vajracchedikā-prajňā pāramitā in The Dunhuang Murals |
|
|
|
| 著者 |
賀世哲
|
|---|
| 掲載誌 |
敦煌研究=Dunhuang Research
|
|---|
| 巻号 | n.6 (總號=n.100) |
|---|
| 出版年月日 | 2006.12 |
|---|
| ページ | 35 - 42 |
|---|
| 出版者 | 敦煌研究編輯部 |
|---|
| 出版サイト |
http://www.dha.ac.cn/
|
|---|
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 敦煌壁畫; 金剛經變 |
|---|
| 抄録 | 敦煌陷番前後，隨著禪宗的發展及其所遵奉的主要佛典《金剛經》的傳播，敦煌壁畫中也相應地出現了金剛經變。第31窟南壁金剛經變的最大特徵是主尊為盧舍那佛。過去學界據此將其定名為盧舍那佛，應訂正為金剛經變。金剛經變的一些主要畫面，在第31窟南壁大部分出現。
It was just the time around the middle of 8~th century during that time Dunhuang was controlled by Tibetan ,there were appeared the illustrations to Vajracchedikā-prajňāpāramitā inside of Mogao grottoes, following by the development of well-established Zen sect and its fast spread out of the principal sacred scripture of Vajracchedikā-prajňāpāramitā which was worshiped by Zen Buddhist sect in China. The most important feature of the illustrations to Vajracchedikā-prajňāpāramitā painted on the south wall of Cave 31 at Mogao Grottoes is found to be presentation of the principal character of Vaircana. This panel of mural painting was defined by academic circle before as the painting of Vaircana based on the main character of Vaircana, now by the author’s study, it should be recognized as the illustrations to Vajracchedikā-prajňāpāramitā.The most of plots described in Vajracchedikā-prajňāpāramitā were well represented on the south wall of Cave 31 at Mogao Grottoes. |
|---|
| ISSN | 10004106 (P) |
|---|
| 研究種類 | 石窟; 佛教圖像; 繪畫 |
|---|
| 研究年代 | 唐代 |
|---|
| 研究地域 | 甘肅(敦煌) |
|---|
| ヒット数 | 533 |
|---|
| 作成日 | 2008.03.18 |
|---|
| 更新日期 | 2018.04.16 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
