 |
|
|
|
|
|
|
青州風格佛教造像的行成與發展=The Formalistic Buddhist Image in Qingzhou and Its Development |
|
|
|
| 著者 |
李靜杰=Li, Jing-jie
|
|---|
| 掲載誌 |
敦煌研究=Dunhuang Research
|
|---|
| 巻号 | n.2 (總號=n.102) |
|---|
| 出版年月日 | 2007.04 |
|---|
| ページ | 6 - 13 |
|---|
| 出版者 | 敦煌研究編輯部 |
|---|
| 出版サイト |
http://www.dha.ac.cn/
|
|---|
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 佛教造像; 青州風格 |
|---|
| 抄録 | 此稿著重分析了泰北安魏太和十八年金銅佛像在青州風格佛教造像形成過程中的位置和作用。之後，討論了典型青州風格形成時期，廣義青州西部、中部和東部地區的佛教造像，以及青州地區繼續吸收外部因素，和青州風格對外部的影響情況。
This article have laid important emohasis on the number of Buddhist copper sculptures unearthed from Tai’an which is dated form the 10~th year of Taihe(494 A.D.) the Northern Wei Dynasty and made a comprehensive analysis to presentation the omportant of those Buddhist copper sculptures had plated in the process of creation activity of what so called the Qingzhou style in Chinese Buddhist art and its important function in form. And then this article go further on discussing other Buddhist sculoture which were dated the tyoical period of the formalistic Qingzhou style that were found in nearby area round the west, middle and east of Qingzhou, meanwhile tales some spcimen to proof that formalistic Qingzhou style had combined some exotic elements in rich the Buddhist image while at the same had spread the estensive influence of the Qingzhou style over outside of Qingzhou Aresa. |
|---|
| ISSN | 10004106 (P) |
|---|
| ヒット数 | 671 |
|---|
| 作成日 | 2008.05.16 |
|---|
| 更新日期 | 2018.04.17 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
