|
|
|
 |
|
|
|
|
|
|
莫高窟第14窟十一面觀音經變=On Eleven faced Avalokitesvara in Cave 14 the Mogao Grottoes |
|
|
|
| 著者 |
彭金章
|
|---|
| 掲載誌 |
敦煌研究=Dunhuang Research
|
|---|
| 巻号 | n.2 (總號=n.39) |
|---|
| 出版年月日 | 1994.05 |
|---|
| ページ | 89 - 97 |
|---|
| 出版者 | 敦煌研究編輯部 |
|---|
| 出版サイト |
http://www.dha.ac.cn/
|
|---|
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 唐朝; 甘肅; 敦煌莫高窟; 繪畫; 十一面觀音; 觀音菩薩=Avalokiteshvara |
|---|
| 抄録 | Cave 14 in the Mogao Grottoes was dug in the period of Late tang.This Articlemainly gives a textual research to the story of the eleven faced Avalokitesvara painedon the south wall of Cave 14.On the picture,the eleven faced Avaloki tesvara is themain image,and on both sides lf it,are 19 little pictures.There are relalions and differ-ence between them.those little pictures were painted according to the Stura Shiyimian-shengzhou xinjing translated by Hsuan Tsan,the famous monk of Tang Dynasty.Besides the eleven faced Avalokitesvara,there also painted other stories lf MantraSact such as stories lf the thousandarmed Avalokitesvara,of thet housand-armed Man-jusri,of the Amoghapasa Avalokitesvara,of the Cintamanicakra and of the Vajra Aval-okitesvara,etc,they represented the flourishing development of the Mantra Sect ofDunhuang in the Late tang Period.But from its preliminary to its flourishing stage,the Mantra Sect had had a long historical experience
|
|---|
| ISSN | 10004106 (P) |
|---|
| 研究種類 | 石窟; 繪畫 |
|---|
| 研究年代 | 唐代 |
|---|
| 研究地域 | 甘肅(敦煌莫高窟) |
|---|
| ヒット数 | 518 |
|---|
| 作成日 | 1998.04.28
|
|---|
| 更新日期 | 2018.01.29 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
