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Ihe Duality of the Sacred and the Secular in Chinese Buddhist Music：An introduction |
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| 著者 |
Wei, Li
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| 掲載誌 |
Yearbook for traditional music
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| 巻号 | v.24 |
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| 出版年月日 | 1992 |
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| ページ | 81 - 90 |
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| 出版者 | International Council for Traditional Music |
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| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | 330; Columbia University, New York; Reprint
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| キーワード | China;History;Music;Religion;Religious music;Secular;Sacred;Ethnomusicology;Wei, Li; |
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| 抄録 | Contemporary Buddhist practice does not always adhere to the Buddhist doctrines on music and its meaning. In the Buddhist doctrines there are three types of music：tianyue (music of heaven)，fanbei (chant)，and yue (the term for music，often denoting secular music). Discrepancies between Buddhist musical doctrine and its practice can be found in history as well as in contemporary Buddhist settings where the influences of Western musical tradition have entered ceremonial situations. Buddhist hymns, with the aid of mass media, have begun to enter and influence the public domain，and in the Buddhist context non-Buddhist music is more tolerated. |
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| ヒット数 | 257 |
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| 作成日 | 2001.05.28
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