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'Don Rta dbyangs Gsum: Tibetan Chant and Melodic Categories |
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| 著者 |
Ellingson, Ter (著)
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| 掲載誌 |
Asian Music
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| 巻号 | v.10 n.2 Tibet Issue |
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| 出版年月日 | 1979 |
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| ページ | 112 - 156 |
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| 出版者 | University of Texas Press |
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| 出版サイト |
https://utpress.utexas.edu/
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| 出版地 | Austin, TX, US [奧斯汀, 德克薩斯州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Music examples, charts, tables
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| キーワード | Tibet; Chant; Melodic categories; Religion; Religious music; Melody; Classification; Music; Liturgy; Ritual; Ellingson, Terry Jay |
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| 抄録 | Tibetan Buddhism developed what is almost certainly one of the largest vocal music repertories existing anywhere in the world. Tibetan performers use several systems to classify the repertory by text or tradition, or according to either the object (yul) and deity (lha) to whom the chant is addressed or its function (don). Musical specialists prefer a classification of monastic chant according to melodic type: 'don, recitation chants; rta, melodic chants; and bdyangs, tone-contour chants. |
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| 目次 | Gdangs and Dbyangs 117
The Components of Melody 118
'Don: Recitation-chants 121
Dbyangs: Tone-contour Chants 144
Melody Beyond Melody? 150
Notes 153
References Cited 155 |
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| ISSN | 00449202 (P); 15535630 (E) |
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| DOI | https://doi.org/10.2307/833989 |
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| ヒット数 | 512 |
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| 作成日 | 2001.05.30
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| 更新日期 | 2022.05.18 |
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