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A Study of New Buddhist Music Composed in Taiwan and the People's Republic of China |
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| 著者 |
Yip, Ming-mei
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| 掲載誌 |
Nhac Viet: The journal of Vietnamese music International Association for Research in Vietnamese Music
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| 巻号 | v.3 n.1-2 |
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| 出版年月日 | 1994 |
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| ページ | 63 - 76 |
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| 出版者 | International Association for Research in Vietnamese Music |
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| 出版地 | Kent, OH, US [肯特, 俄亥俄州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | 290; Proceedings of the conference on trition versus modernization |
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| キーワード | 佛教音樂=梵唄=Buddhist Music;Chinese Buddhism;Taiwan;China;Religious music;Zhang, Zhi-Wen;Shen, Xin-Gong;Li, Xu-tong;Hong Yi;Liturgy;Ritual;Yip, Ming-Mei; |
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| 抄録 | New Buddhist music was composed for the purpose of popularizing Buddhist teachings in a new form. The texts of most of the new Buddhist songs were written by Buddhist masters, while the composers were generally lay Buddhists. The first generation of new Chinese composers were Zhang Zhi-Wen (1879-1929)，Shen Xin-Gong (1869-1947)，and Li Xu-tong，also known as Master Hong Yi (1880-1942). New Buddhist songs may be classified in three categories：(1) Buddhist songs to be sung as religious music; (2) Buddhist-inspired works, which aregenerally instrumental pieces with Buddhist titles; and (3) melodies of traditional Buddhist chants arranged for instruments. Anthologies of new Buddhist songs are listed and described. |
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| ヒット数 | 786 |
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| 作成日 | 2001.05.16
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