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Der Chinese Ly Nguyen Cat und die Entstehung des Vietnamesischen Theaters |
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| 著者 |
Nguyen, Van Nam
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| 掲載誌 |
Africa and Asia
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| 出版年月日 | 1993 |
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| ページ | 33 - 55 |
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| 出版者 | Humboldt-U. Institut fur Musikwissenschaft und MusikerziehungHumboldt-U. Institut fur Musikwissenschaft und Musikerziehung |
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| 出版地 | Berlin, Germany [柏林, 德國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 德文=German |
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| ノート |
290
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| キーワード | Vietnamese Theaters;China;Dramatic arts;Vietnam;Ly nguyen cat;Religion;Religious music;Confucianism;Nguyen, Van Nam; |
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| 抄録 | The autonomy of Vietnamese theater in its three forms, the folk cheo，the courtly tuong，and the popular cai-luong，can be demonstrated by historical sources that make use of the Vietnamese language，discuss typically Vietnamese instruments, and describe Buddhist rather than Confucianist rules of performance. Discussion of the thousand-year-old theatrical Vietnamese practice in the chief genres mentioned above nevertheless points to strong Chinese influence. However，the presence of indigenous ritual，the splendor of the mysteries, and clowning episodes undermine the claim of a Chinese origin for the Vietnamese theater. |
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| ヒット数 | 326 |
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| 作成日 | 2001.05.22
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