|
|
|
 |
|
|
|
|
|
|
National Pantheon, Regional Deities, Personal Spirits? Mushindo, Sŏngsu, and the Nature of Korean Shamanism |
|
|
|
| 著者 |
Walraven, Boudewijn
|
|---|
| 掲載誌 |
Asian Ethnology
|
|---|
| 巻号 | v.68 n.1 |
|---|
| 出版年月日 | 2009 |
|---|
| ページ | 55 - 80 |
|---|
| 出版者 | Nanzan Institute for Religion and Culture=南山宗教文化研究所 |
|---|
| 出版サイト |
http://nirc.nanzan-u.ac.jp/en/
|
|---|
| 出版地 | 名古屋, 日本 [Nagoya, Japan] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| キーワード | Korea; Hwanghae province; shamans; spirit paintings; hwan—s?ngsu; personalization of ritual; agency of material culture |
|---|
| 抄録 | Korean shamans (manshin or mudang) practicing in the tradition of Hwanghae province possess numerous paintings of spirits of deceased shamans (s?ngsu) who assist them in their activities. Attention has been paid to such paintings (hwan) mainly in the context of shamanism as a part of Korean national heritage, and the role they play in the lives of individual shamans has been neglected. If one looks beyond the surface of these hwan, which often seem to be almost identical, it turns out that shamans have very personal elationships with the figures depicted, who may have been professional as well as genealogical ancestors. In some cases, the paintings also represent the spiritual essence of a living person (including the shaman her-/himself). A detailed investigation of the very personal meaning that hwan have for individual shamans helps to understand the dynamics of rituals. Taking into account the very personal nature of the shamanic experience involved also strengthens the claim of the Korean manshin to be called shamans according to a general definition of shamanism formulated by Roberte Hamayon. |
|---|
| ISSN | 18826865 (P) |
|---|
| ヒット数 | 284 |
|---|
| 作成日 | 2011.01.18 |
|---|
| 更新日期 | 2019.06.20 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
