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The Transnational Buddhism of Spring, Summer, Fall, Winter… and Spring |
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著者 |
Cho, Francisca
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掲載誌 |
Contemporary Buddhism: An Interdisciplinary Journal
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巻号 | v.15 n.1 |
出版年月日 | 2014.05 |
ページ | 109 - 124 |
出版者 | Routledge |
出版サイト |
https://www.routledge.com/
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出版地 | Abingdon, UK [阿賓登, 英國] |
資料の種類 | 期刊論文=Journal Article |
言語 | 英文=English |
ノート | Special Issue: Buddhism and Film
Francisca Cho received her Ph.D. from the University of Chicago Divinity School and works on East Asian Buddhism from the perspective of aesthetic media. Her first book, Embracing Illusion: Truth and Fiction in the Dream of the Nine Clouds (1996) focused on classic fiction, and her second, Embracing Illusion: Manhae's Poems of Love and Longing (2005) focused on poetry. She is currently working on a monograph on Buddhism and film, from which the current article is excerpted.Address: Theology Department, Georgetown University, Box 571135, Washington DC 20057-1135. Email: |
キーワード | Motion Pictures -- Reviews |
抄録 | Kim Kiduk's Spring, Summer, Fall, Winter . . . and Spring is a Buddhist film from Korea that reflects both traditional Asian and modern western-influenced impulses. A close reading of the film reveals how it replicates long-standing ritual practices such as seeing and being seen by the Buddha, and literary themes such as the cycle of karma. It also exhibits fidelity to canonical accounts of contemplative practices, reflecting a mainstream interest of western Buddhism that has found its way back to Korean society. Kiduk's film demonstrates that Buddhism is a complex and dynamic entity that evolves through a process of feedback and response in a global context that should not be atomized into “Asian” versus “western,” and “traditional” versus “contemporary” fragments. |
目次 | The bodhisattva’s vision 113 Repetition and awakening 117 The question of identity 120 Notes 122 References 123
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ISSN | 14639947 (P); 14767953 (E) |
DOI | 10.1080/14639947.2014.890347 |
ヒット数 | 142 |
作成日 | 2015.11.11 |
更新日期 | 2017.07.14 |
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