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当書目の情報提供者は 李玉珉老師 です
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供養人畫像與唐宋敦煌世俗佛教=The Portrait of Donors and Vulgarization of Buddhism of Dunhuang During The Period of The Tang Dynasty and The Song Dynasty |
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| 著者 |
沙武田
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.4 (總號=n.104) |
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| 出版年月日 | 2007.08 |
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| ページ | 72 - 79 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 世俗化; 圖像證史; 供養人畫像; 敦煌世俗佛教 |
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| 抄録 | 本文運用"圖像證史"的理論與方法,在前人對敦煌世俗佛教研究的基礎上,通過對唐宋時期敦煌供養人畫像詳細的分析研究,以供養人畫像為中心,就其反映和記錄的敦煌世俗佛教,從多個角度闡釋了供養人畫像與唐宋敦煌世俗佛教的密切關系。
This article attempts to trying out the theory and practice of A History Proved True by Existing Works of Art.Based on the achievement of the study of vulgarization of Buddhism of Dunhuang by former scholars,this article made a analysis in detail to the portrait of donors of the Dunhuang Mural dating from a period of the Tang dynasty and the Song dynasty and centralizing on those collective portrait of donors of Dunhuang,showing the fact that they have reflected and recorded Dunhuang secular society and reflected the true station of public belief at the past times in Dunhuang area,and furthermore,to consider and review those portrait of donors’ closer relationship with the local vulgarization of Buddhist society in all its aspects. |
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| ISSN | 10004106 (P) |
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| 研究年代 | 宋代 |
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| 研究地域 | 甘肅(敦煌) |
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| ヒット数 | 443 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2018.04.17 |
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