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当書目の情報提供者は 李玉珉老師 です
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廣元唐代石窟造像分期研究=A STUDY OF THE PERIODIZATION OF THE IMAGES IN TANG PERIOD GROTTOES AT GUANGYUAN |
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| 著者 |
姚崇新
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| 掲載誌 |
考古學報=Acta Archaeologica Sinica
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| 巻号 | n.4 |
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| 出版年月日 | 2007 |
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| ページ | 423 - 468 |
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| 出版者 | 中國社會科學院考古研究所 |
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| 出版サイト |
http://www.cass.net.cn/y_03/y_03_38kgyjs.html
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| 出版地 | 北京, 中國 [Beijing, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| 抄録 | After the High Tang period the creation of Buddhist grotto images in China was gradually shifted from the northern Central Plains to the southwest regions and continued to flourish constantly down to the Song period.As a result,Sichuan became the key region of researching into the grotto images creating art of the High Tang to the Song periods.Thanks to its special position and the outstanding role of its Jinniu Road,Guangyuan functioned as the"fore-port"for Tang Buddhist art to be spread into Sichuan.Previously little attention was paid to Guangyuan grotto images in academic circles;and researches in this field stayed at the initial stage.Based on a large amount of first-hand material from surveys and using the archaeological typological method with literal records taken into account,the present paper makes a study of the periodization of the Tang grotto images discovered in Guangyuan. Creation of grotto images in Guanyuan was swiftly developed after this area entered the Tang period.During the whole Tang Dynasty,it underwent three phases of development:The first phase was from the beginning of the Tang period to Wu Zetian’s reign,when Guangyuan saw the first height of grotto opening.The second phase lasted roughly from Ruizong’s reign to the 10th year of Xuanzong’s Tianbao reign,when Guangyuan grotto image creation was in its prime.The third phase ranged roughly from AD 750 to 850,when this art showed obviously a declining tendency.The first phase can be further divided into two stages,which cover roughly the Wude and Zhenguan reigns and the Gaozong and Wu Zetian reigns respectively.From about the mid 9th century,grotto image creation in Guangyuan came to its thorough fall.The direct factors of this were that there was no extensive surplus cliff-sides suitable for opening grottoes and making images and that the heart of grotto image creation in Sichuan was moved southward from the mid and late Tang period. |
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| 目次 | 一、引言 423
二、窟龕與造像的類型 424
三、窟龕與造像的分期與年代 432
四、石窟開鑿的歷史背景 445 |
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| ISSN | 04532902 (P); 04532902 (E) |
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| 研究種類 | 石窟; 考古 |
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| 研究年代 | 唐代 |
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| 研究地域 | 四川(廣元皇澤寺石窟,廣元千佛崖石窟,廣元觀音崖石窟) |
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| ヒット数 | 363 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2019.10.08 |
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