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当書目の情報提供者は 李玉珉老師 です
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長安光宅寺七寶臺浮雕石佛群像的風格、圖像及復原探討=Discussion on the Relief of the Seven-Jewel-Tower: The Style, Iconography and Structure |
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| 著者 |
楊效俊
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| 掲載誌 |
考古與文物=Archaeology and Cultural Relics
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| 巻号 | n.5 |
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| 出版年月日 | 2008.10 |
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| ページ | 69 - 84 |
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| 出版者 | 陜西省考古研究所 |
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| 出版地 | 西安, 中國 [Xi'an, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：陝西歷史博物館 |
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| キーワード | 寶慶寺七寶台; 光宅寺; 武則天 |
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| 抄録 | Based on the archaeological investigation and the synthetic study of Buddhist sculptures of the Tang Dynasty, the author argues that the relief from the Seven-Jewel-Tower can be divided into two groups: one was dated to AD 703～704, when the building was set up by the Empress Wu Zetian; while the other group was dated as around AD 724, when the building was restored. Referring to the same kind of contemporary monuments, the first group is presumed to be reconstructed as a four–sided tower, comprising the basement,the body and the cover. The basement is eight-sided, with the one Seated Shakyamuni and Two Attendants relief, and the other seven sides with Ekadasamukha relief attached respectively. The body is four-sided-tower with four Buddha images attached in each side, demonstrating the prevalence of the four-world-four-Buddha belief during the Early Tang and the Wuzhou period. The architecture,sculpture and wall painting were closely integrated and strongly influenced by the Gupta style. As the representative monument of the Wuzhou Buddhism Visual Culture, Seven-Jewel-Tower is also the identity of the Wuzhou Dynasty. |
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| 目次 | 一、浮雕像的分期研究 70
1. 始建期 70
2. 修補期 73
二、始建期浮雕像的復原 74
三、從七寶臺看武周長安年間的佛教視覺文化 79 |
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| ISSN | 10007830 (P) |
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| 研究種類 | 佛教圖像; 雕塑造像; 研究史 |
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| 研究年代 | 唐代 |
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| 研究地域 | 陝西(西安) |
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| ヒット数 | 255 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2019.10.17 |
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