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当書目の情報提供者は 李玉珉老師 です
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CHANGING MEDIA: The Transmission of Images in Yuan Painting |
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| 著者 |
Lauer, Uta (著)
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| 掲載誌 |
Ars Orientalis
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| 巻号 | v.37 |
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| 出版年月日 | 2009 |
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| ページ | 107 - 116 |
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| 出版者 | Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan |
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| 出版地 | Michigan, US [密西根州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | CURRENT DIRECTION IN YUAN PAINTING |
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| キーワード | 中峰明本 |
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| 抄録 | Among the Chinese hierarchy of two-dimensional media on paper, painting is ranked first, followed by woodblock printing and rubbings. These three media differ in the way they transmit pictures, depending on the characteristics of each. Temple workshops and the collection of paintings in a temple's library played a key role in the spread of images. This paper will explore the implications of these facts in a case study of a portrait that exists in all three media, a portrait of the Chan abbot Zhongfeng Mingben (1262–1323) of the Yuan dynasty. |
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| ISSN | 05711371 (P) |
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| 研究種類 | 繪畫 |
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| 研究年代 | 元代 |
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| 研究地域 | 中國 |
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| ヒット数 | 70 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2022.03.23 |
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