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克孜爾第123窟主室兩側壁畫新探=A New Study on the Paintings on the Side Walls in Kizil Cave 123 |
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| 著者 |
朱天舒 (著)=Zhu, Tian-shu (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.3 (總號=n.151) |
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| 出版年月日 | 2015.06 |
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| ページ | 1 - 10 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：澳門大學社會學院歷史系 |
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| キーワード | 克孜爾第123窟=Cave 123 of the Kizil Grottoes; 定光佛授記=prediction of Dipamkara Buddha; 陶工浴佛=potters bathing the Buddha; 誓愿畫=paintings of pranidhi; 菩薩道=way of bodhisattva |
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| 抄録 | 克孜爾中心柱窟第123窟,主室側壁的兩幅壁畫非常特殊,一反主室側壁繪以坐佛為中心的說法圖的規律,而是繪以立佛為中心的大型敘事畫。這兩幅壁畫非常精美,是佛教藝術史上的精品。不過,這兩幅壁畫的內容和主題,至今尚未有人進行過專門研究。本文旨在探討這兩幅壁畫的主題與意義,從性質及其構圖分析它們與誓愿畫的聯系,指出它們應是誓愿畫的先驅。并進一步揭示誓愿畫背后所反映的菩薩思想。接受、提倡菩薩思想是7世紀以后中亞小乘部派的一大重要轉變。
Among the central-pillared caves at the Kizil Grottoes, the two wall paintings on the side walls in the main chamber of cave 123 are very special. They are large narrative paintings focusing on a standing central Buddha and are completely different from the pattern of the preaching scenes on the side walls in the main chamber that mainly represent a sitting Buddha in the center. Both paintings are beautiful masterpieces of Buddhist art yet no research has been done on their contents and themes so far. This paper discusses the theme and meaning of the two paintings, analyzes the relationships in nature and composition between them and the paintings of pranidhi, and finally makes it clear that they are precursors of the paintings of pranidhi. It further elucidates the Bodhisattva philosophy underlying the paintings of pranidhi, noting that accepting and advocating the thought of Bodhisattva was a great change in Central Asian Hinayana Buddhism during the 7th century. |
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| ISSN | 10004106 (P) |
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| ヒット数 | 133 |
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| 作成日 | 2016.06.04 |
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| 更新日期 | 2018.05.28 |
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