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重慶龍多山田灣3號龕的造像題材與年代=The Theme and Time of the Images of Tianwan No.3 Niche in the Longduoshan Grottoes in Chongqing |
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| 著者 |
符永利 (著)=FU, Yongli (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.4 (總號=n.152) |
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| 出版年月日 | 2015.08 |
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| ページ | 5 - 13 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：西華師范大學歷史文化學院 |
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| キーワード | 龍多山石窟=Longduoshan Grottoes; 達摩=Dharma; 慧可=Hui Ke; 寶志=Bao Zhi; 十一面觀音=eleven-headed Avalokitesvara |
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| 抄録 | 位于重慶合川區的龍多山石窟,在田灣3號龕出現一種比較特殊的造像題材以及組合關系,一直未引起調查者的重視,其神格與年代亦未判明。現于實際調查基礎上,經排比分析確定,主尊應為跏趺坐達摩像,右側為倚坐慧可像,左側為寶志化現十一面觀音像,年代大約在唐末五代時期。寶志化現十一面觀音像在石窟考古中屬于首次發現,其與達摩、慧可的組合也是新發現的實物例證,這為石窟造像研究提供了不可多得的資料。
In Tianwan no.3 Niche in the Longduoshan Grottoes in Chongqing, there is a special theme and combination of images. This set of statues has not attracted scholarly attention, and its characters and time of creation remain unknown. Today’s investigation and research suggests that the main statue is Dharma, the right figure is Hui Ke, and the statue on the left is Eleven-Headed Avalokitesvara transformed by Bao Zhi; these sculptures likely date to the late Tang and Five Dynasties period. This is the first time in cave archaeology that Eleven-Headed Avalokitesvara transformed by Bao Zhi has been discovered and additionally presents a new combination of Dharma, Hui Ke and Eleven-Headed Avalokitesvara. These statues are therefore of great value for studying cave images |
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| ISSN | 10004106 (P) |
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| ヒット数 | 74 |
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| 作成日 | 2016.06.06 |
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| 更新日期 | 2018.05.29 |
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