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三階教《七階禮》與佛名禮懺=The Qijie Li of the Three-Stage School and the Worship Rite of Chanting Buddha’s Names |
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著者 |
楊學勇 (著)=Yang, Xue-yong (au.)
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掲載誌 |
敦煌研究=Dunhuang Research
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巻号 | n.1 (總號=n.155) |
出版年月日 | 2016.02 |
ページ | 92 - 101 |
出版者 | 敦煌研究編輯部 |
出版サイト |
http://www.dha.ac.cn/
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出版地 | 蘭州, 中國 [Lanzhou, China] |
資料の種類 | 期刊論文=Journal Article |
言語 | 中文=Chinese |
ノート | 作者單位:山西師范大學歷史學院 |
キーワード | 三階教=Three-Stage School; 七階禮=Qijie Li; 佛名禮懺=worshipping Buddha by chanting Buddha’s names; 大住聖窟= the Dazhusheng Cave |
抄録 | 大住圣窟所刻《略禮七階禮佛懺悔等文》與三階教《七階禮》有諸多相似之處,從《七階禮》的演變軌跡及大住圣窟對三階教的影響等方面可以確定《略禮七階禮佛懺悔等文》影響了《七階禮》,從中可窺《七階禮》的起始形態,并為研究信行的廣、略《七階佛名》提供了線索。三階教"六時禮拜佛法大綱"應是廣、略《七階佛名》的綱領性文字,據此大綱并結合敦煌《七階禮》諸寫本可大致推出廣、略《七階佛名》的原貌及敦煌遺書中諸種《七階禮》類型的內容與結構。以此為基礎,就可詳細探究與《七階禮》抄寫在一起的《十方禮》《寅朝禮》等禮懺文與《七階禮》之間的關系。
Lveli Qijielifo Chanhui Dengwen engraved in the Dazhusheng Cave has much in common with the Qijie Li of the Three-Stage School, the influence of the former on the latter judged by the evolution and impact of the Dazhusheng Cave on the Three-Stage School. These engraved texts can not only show how the Qijie Li took shape, but also provide clues for studying the Guang Qijie Foming and Lve Qijie Foming written by Xin Xing. An "outline of worshipping Buddhas in six periods of day and night" of the Three-Stage School is likely the creed of Xin Xing’s two works mentioned above. Based on this outline and the Qijie Li found among Dunhuang documents, we can briefly speculate on the contents and structure of various versions of the Qijie Li among Dunhuang documents, and on the original texts of the above-mentioned works by Xin Xing. Based on this research, the relationship between Qijie Li and the texts engraved together with it, such as Shifang Li and Yinchao Li, can be explored in detail as well. |
ISSN | 10004106 (P) |
ヒット数 | 724 |
作成日 | 2016.06.15 |
更新日期 | 2018.05.31 |
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