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青藏高原東麓吐蕃時期佛教摩崖造像的發現與研究=The Discoveries and Researches on the Buddhist Cliff-Side Carvings of Tubo Dynasty in Eastern Tibet-Qinghai Plateau |
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| 著者 |
霍巍 (著)=Huo, Wei (au.)
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| 掲載誌 |
考古學報=Acta Archaeologica Sinica
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| 巻号 | n.3 |
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| 出版年月日 | 2011 |
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| ページ | 353 - 384+443 - 448 |
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| 出版者 | 中國社會科學院考古研究所 |
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| 出版サイト |
http://www.cass.net.cn/y_03/y_03_38kgyjs.html
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| 出版地 | 北京, 中國 [Beijing, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：四川大學中國藏學研究所。 |
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| キーワード | 摩崖造像; 吐蕃時期; 大日如來; 八大菩薩; 考古工作; 禪定印; 毘盧遮那佛; 區域歷史; 贊普 |
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| 抄録 | 目次一藏東地區遺古二大日如來信仰在藏東地區的傳播三唐蕃文化交流背景下的吐蕃佛教遺傳青藏高原東麓，是指青海，西藏以及四川三省區交界的廣大從歷史上看，這個區域既是吐蕃王國向外擴張的重要通道，也是吐蕃王國勢力最為強盛時期的東部疆界，學術界一般習慣於將其簡稱為“藏東地區”。今天西藏以外的藏族聚居區無論是甘南藏區，青海藏區，四川藏區，還是滇西北藏區都處在這一區域之內，這不能夠說明這個區域歷史上與中部藏區這個格局也正是從吐蕃以來逐漸形成的。
This article gives a comprehensive study on the archaeological discoveries of Buddhist rock carvings of Tubo Dynasty in eastern Tibet-Qinghai plateau in recent years.It consists of three parts.The first part studies the themes and inscriptions of the remains discovered in Tibet,Qinghai and Sichuan Provinces,and gives an identification of their archaeological dates.The second part discusses the iconographic characteristics of the assemblage of Vairocana and Astamahabodhisattva(the Eight Great Bodhisattvas)in eastern Tibet-Qinghai plateau and the reason for its prevalence in these areas.This paper suggests that it is the result of the historical and religious context that the worshipping of Vairocana became increasingly popular with the spread of esoteric Buddhism in central Tibet,Dunhuang and Sichuan during the middle and late Tubo Dynasty(corresponding to the middle and late Tang Dynasty).In particular,the paper stresses that because of the special natural condition of eastern Tibetan area,the esoteric Buddhism in these areas communicated with that in Central Plain tradition,such as that from Dunhuang and Sichuan and influenced with each other.Thus,the style of the Variocana image was possibly from the central areas of Tubo Kingdom via Dunhuang or Hexi Corridor.However,the configuration of Astamahabodhisattva seemed to be affected by Central Plain tradition tantric texts prevailed in Dunhuang and Sichuan.It displays a phenomenon of multi-cultural communication and amalgamation.The third part discusses the effect and significance of these Buddhist archaeological remains in the cultural communication between the Central Plain and Tibetan Kingdom in the Tang Dynasty.The author suggests that because of the special approaches in the cultural communication between the Central Plain and Tibetan Kingdom,different cultural elements were able to be introduced into these areas simultaneously by the eminent monks from Tibet and/or Tang Empire. |
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| 目次 | 一 藏東地區考古發現的佛教造像遺存 353
(一)四川西北地區 354
(二)西藏昌都地區 358
1. 仁達摩崖造像 358
2. 扎廓西摩崖造像 362
3. 朗巴朗則摩崖造像 364
(三)青海玉樹地區 368
1. 貝納溝摩崖造像 368
2. 勒巴溝口摩崖造像 371
3. 勒巴溝內摩崖造像 373
二 大日如來信仰在藏東地區的傳播 375
三 唐蕃文化交流背景下的吐蕃佛教遺存 380
THE DISCOVERIES AND RESEARCHES ON THE BUDDHIST CLIFF-SIDE CARVINGS OF TUBO DYNASTY IN EASTERN TIBET-QINGHAI PLATEAU 384 |
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| ISSN | 04532902 (P); 04532902 (E) |
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| 研究種類 | 雕塑造像 |
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| 研究年代 | 吐蕃 |
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| ヒット数 | 226 |
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| 作成日 | 2017.03.22 |
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| 更新日期 | 2019.10.08 |
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