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從鳳縣天開寺壁畫看敷金技法在古代壁畫中的運用=The Application of the Lifen Duijin(Gelled Patterning and Gilding) Technique in the Ancient Murals Seen in the Murals of the Tiankai Temple in Fengxian County |
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| 著者 |
張佳 =Zhang, Jia
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| 掲載誌 |
文博=Relics and Museolgy
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| 巻号 | n.2 (總號=n.191) |
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| 出版年月日 | 2016.03 |
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| ページ | 108 - 112 |
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| 出版者 | 西安文物保護修復中心 |
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| 出版サイト |
http://www.xccch.net/
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| 出版地 | 西安, 中國 [Xi'an, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：陝西歷史博物館 |
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| キーワード | 天開寺=Tiankai Temple; 壁畫=Murals; 瀝粉堆金=Lifen Duijin(Gelled Patterning and Gilding); 運用=Application |
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| 抄録 | 天開寺位於陜西鳳縣，寺中有清末至民國初年繪制的「三國演義」壁畫三幅。人物刻畫細緻入微，生動傳神，工筆和寫意並用，平塗與暈染兼施，特別採用了傳統技法「瀝粉堆金」工藝。本文從天開寺壁畫的敷金工藝說起，來探討敷金工藝在古代壁畫中的應用。
The Tiankai Temple located in Fengxian County.Shaanxi Province has three murals painted around the end of the Qing Dynasty and the early Minguo Period depicting the scenes in the novel Romance of the Three-Kingdoms. The figures in the murals are painted delicately and closely with both the fine and free brushworks and the flat color and shading techniques, especially the traditional mural technique of lifen duijin(gelled patterning and gilding) is applied to the painting of the murals. Starting from the discussion on the gilding technique of the murals of Tiankai Temple, this paper explored the application of the gilding technique on the ancient murals. |
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| 目次 | 一、天開寺壁畫內容及其藝術特色 108
二、「敷金」技藝的淵源和演變 109
(一) 貼金 109
(二) 描金 110
(三) 瀝粉堆金 110 |
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| ISSN | 10007954 (P); 10007954 (E) |
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| ヒット数 | 90 |
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| 作成日 | 2020.01.07 |
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| 更新日期 | 2020.01.17 |
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