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柏孜克里克石窟第17窟佛說大乘莊嚴寶王經變考釋=A Study on the Avalokitesvara-guna-karanda-vyuha Sutra Illustration in Cave 17 at the Bezeklik Grottoes |
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著者 |
陳愛峰 (著)=Chen, Ai-feng (au.)
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掲載誌 |
敦煌研究=Dunhuang Research
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巻号 | n.6 (總號=n.160) |
出版年月日 | 2016 |
ページ | 82 - 92 |
出版者 | 敦煌研究編輯部 |
出版サイト |
http://www.dha.ac.cn/
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出版地 | 蘭州, 中國 [Lanzhou, China] |
資料の種類 | 期刊論文=Journal Article |
言語 | 中文=Chinese |
ノート | 作者單位:武漢大學歷史學院、吐魯番學研究院
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キーワード | 高昌回鶻=Gaochang Uighur; 柏孜克里克石窟第17窟=Cave 17 at the Bezeklik Grottoes; 佛說大乘莊嚴寶王經變=Avalokitesvara-guna-karanda-vyuha Sutra; 觀音=Avalokitesvara |
抄録 | 考釋了柏孜克里克石窟第17窟券頂的壁畫,確定其中6幅壁畫出自《佛說大乘莊嚴寶王經》,推測其餘壁畫大多出自該經。結合兩側壁壁畫分析,認識到該窟是一個以觀音為主尊、內涵豐富的洞窟。佛說大乘莊嚴寶王經變的考證,揭示了北宋時期中原與西域的文化交流,同時糾正了以往學界對第17窟年代的推定,即並非唐西州時期。結合窟內供養人族屬的認定,我們初步將該窟壁畫的繪製年代界定在北宋初(10世紀末)至回鶻歸順蒙古之前(13世紀初)。
This paper examines the wall paintings on the arched ceiling of cave 17 at the Bezeklik Grottoes, identifies that six of them derive from the Avalokitesvara-guna-karanda-vyuha Sutra, and proposes that most of the remaining works also likely from the same sutra. By associating these artworks with additional wall paintings on two side walls, this cave seems to be rich with contents focusing on Avalokitesvara as a central image. Discovery of the Avalokitesvara-guna-karanda-vyuha Sutra reveals cultural exchanges between the Central Plains and Western Regions areas during the Northern Song dynasty and also corrects the previously accepted assumption that the text does not date back to the Xizhou period of the Tang dynasty. By identifying the clan to which the donor figures in the caves belong, the author preliminarily dates the wall paintings to the Northern Song dynasty (late 10th century), prior to the Uighur surrender to the Mongolians (early 13th century). |
目次 | 一、寶王經變內容解析 83 (一)右券頂壁畫 83 (二)左券頂壁畫 85 二、寶王經變與壁畫繪製年代 87 三、寶王經變在石窟中的宗教意義 88 四、寶王經變與漢譯佛經入傳吐魯番 91 小結 92 |
ISSN | 10004106 (P) |
DOI | 10.13584/j.cnki.issn1000-4106.2016.06.014 |
ヒット数 | 299 |
作成日 | 2020.08.24 |
更新日期 | 2020.08.24 |
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