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四川廣安沖相寺定光佛龕像研究=A Study on the Statue of Dipamkara Buddha in the Chongxiangsi Grottoes in Guang’an City, Sichuan Province |
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| 著者 |
符永利 (著)=Fu, Yong-li (au.)
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王守梅 (著)=Wang, Shou-mei (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.6 (總號=n.172) |
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| 出版年月日 | 2018 |
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| ページ | 38 - 48 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者機構：西華師範大學歷史文化學院 |
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| キーワード | 沖相寺石窟=Chongxiangsi Grottoes; 定光佛=Dipamkara; 類型= types; 年代=ages; 造型; 頭光=halo; 服飾=dress; 信仰=beliefs |
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| 抄録 | 四川廣安市肖溪鎮的沖相寺石窟是一處重要的隋唐石窟寺,其中開鑿最早的定光佛造像,題材特殊,造型獨特,內含豐富的歷史信息。通過樣式類型分析,可看出此尊定光佛像在發展變化過程中屬於簡化類型,所飾的太陽紋頭光在沖相寺石窟中有一定的典型性。這種頗具特色的頭光可能是由古印度犍陀羅起源,經西域、河西從天水、漢中傳入巴中,再經巴中沿渠江傳至沖相寺。定光佛造像的著衣方式也獨具特色,而其手印更蘊涵特殊含義,應表現的是本生授記和三童子緣。該龕造像反映的是早期定光佛信仰,屬於正統信仰,與五代之後流行的晚期閩西定光佛信仰不同。隋代之所以在此開鑿這尊定光佛像,最重要的原因是受到求得授記、祈願成佛思想的影響。
The Chongxiangsi Grottoes located in Xiaoxi town in Guang’an, Sichuan province, is an important cave temple of the Sui and Tang dynasties. There is a niche in which a Dipamkara Buddha statue was carved in a unique form and with special themes, and it contains abundant historical information. An analysis of the type and style suggests that the style of the statue is of a simplified variety occurring in the course of development of statue art as various practices and motifs were imported and digested. The characteristic of a round halo radiating light was typical in the Chongxiangsi Grottoes, but it originated from Gandhara in ancient India, entered Banzhong from Tanshui and Hanzhong via the Western Regions and the Hexi Corridor, and then reached the Chongxiangsi Grottoes after following the Qujiang River. The unique costumes and hand gestures with special meanings of this particular statue suggest that it is representative of the Vyakarana Jataka and the karma stories of three boys. The niche in combination with the accompanying statues and images reflects early belief in Dipamkara Buddha, a kind of orthodox faith different from the widespread Dipamkara belief of a later period originating in western Fujian that became prevalent after the Five Dynasties. It can be surmised from historical analysis that the most important reason for the building of this statue is that a trend of "seeking Vyakarana and becoming Buddha" was spreading through Buddhist communities at the time, affecting a change in artistic motifs and taste. |
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| 目次 | 一 基本概況 39
二 年代問題 39
三 樣式類型 40
(一) A型:七佛組合 41
1.A型Ⅰ式:跏趺坐式 41
2.A型Ⅱ式:立式 41
(二) B型:三佛組合 41
1.B型Ⅰ式:處於三佛中的左側或右側 41
2.B型Ⅱ式:處於三佛的中間主尊位置, 著重凸顯了定光佛的地位 41
(三) C型:與弟子、菩薩組合 41
1.C型Ⅰ式:一佛二菩薩組合 41
2.C型Ⅱ式:一佛二弟子二菩薩組合 41
(四) D型:本生或因緣故事組合 41
1.D型Ⅰ式:授記本生 41
2.D型Ⅱ式:三童子獻施因緣 42
3.D型Ⅲ式:授記、三童子同時組合表現 42
(五) E型:單尊形式 43
四 太陽紋頭光 43
(一) A型:尖桃形頭光 44
(二) B型:圓形頭光 44
五 著衣方式 45
六 手印含義 45
七 定光佛信仰 47
結語 48 |
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| ISSN | 10004106 (P) |
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| ヒット数 | 138 |
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| 作成日 | 2020.11.04 |
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