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對青州七級寺出土一件背屏式造像時代的考證 - 兼談青州北朝晚期背屏式造像的發展演變規律=Textual Research on a Statue with a Back Screen Unearthed from the Qiji Temple at Qingzhou - Plus a Discussion on the Evolutionary Principles of This Type of Statues during the Late Northern Dynasties |
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| 著者 |
付衛杰 (著)=Fu, Wei-jie (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.1 (總號=n.173) |
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| 出版年月日 | 2019 |
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| ページ | 44 - 53 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者機構：青州市博物館 |
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| キーワード | 青州=Qingzhou; 背屏式造像=statue with a back screen; 年代=date; 特徵=feature |
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| 抄録 | 上世紀90年代青州七級寺遺址出土了一件一佛二菩薩背屏式造像,沒有明確紀年。關於其年代學界存有爭議,簡報作者將其時代定為北魏,有些學者則將其定為東魏。作者試圖通過排比青州地區背屏式造像,梳理、總結該地區背屏式造像形式的發展演變規律,進而推定該造像的年代。
A collection of statues including one Buddha and two bodhisattvas with a back screen was unearthed from an archaeological site at the Qiji Temple in Qingzhou, but the statues have yet to be dated exactly.The author of one brief report speculates that they are from the Northern Wei dynasty but other scholars believe them to date from the Eastern Wei dynasty, and the issue has yet to be satisfactorily resolved. This paper uses a comparative and textual methodology to date this statue by comparing it with statues of the same type from the Qingzhou region and by summarizing the evolutionary principles that determined this style of artwork and thus set it apart from other historical instances of Buddhist sculpture. |
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| 目次 | 一 北朝晚期背屏式造像特徵 45
1.造像形制 45
2.背屏圖案 45
3.佛像的造型
4.菩薩的造型 50
二 七級寺出土背屏式造像的特徵分析及結論 51
1.佛像特徵: 51
2.菩薩特徵: 52
3.背屏紋樣: 52
4.背屏形制 52 |
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| ISSN | 10004106 (P) |
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| ヒット数 | 182 |
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| 作成日 | 2020.11.04 |
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| 更新日期 | 2020.11.04 |
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