 |
|
|
|
|
| 著者 |
常青 (著)=Chang, Qing (au.)
|
|---|
| 掲載誌 |
文博=Relics and Museolgy
|
|---|
| 巻号 | n.2 |
|---|
| 出版年月日 | 2020 |
|---|
| ページ | 21 - 26 |
|---|
| 出版者 | 西安文物保護修復中心 |
|---|
| 出版サイト |
http://www.xccch.net/
|
|---|
| 出版地 | 西安, 中國 [Xi'an, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 杭州=Hangzhou; 佛教藝術=Buddhist Sculpture; 石窟=Grottoes; 無門洞=Wumen Cave; 羅漢=Buddhist Arhat |
|---|
| 抄録 | 杭州南高峰無門洞原是一處天然溶洞，洞口右側現存一殘圓拱形龕，內有殘像五尊。洞
內壁面雕有羅漢像十八尊，主要表現為民間風格，是杭州現存少有的明代造像。洞口處另有兩尊羅漢像，
約補刻於清代。本文首次完整發表這處造像材料，對研究杭州佛教雕塑史具有重要意義。
Wumen Cave is a natural karst cave at Nangaofeng in Hangzhou. However, at the right side
of entrance was found an incomplete arched niche with five broken sculptures inside. On a wall in the inside
of the cave, eighteen sculptures of Buddhist Arhat were found. Carved in a local folk style they are very rare
sculptures created during the Ming Dynasty in Hangzhou. Another two sculptures of Buddhist Arhat were
also found at the side of the entrance and were created in the Qing Dynasty. It is the first time that relevant
information about these sculptures has been published and they are also significant in the research on the
history of creating Buddhist sculptures in Hangzhou. |
|---|
| 目次 | 一、客觀跡象 22
（一）西壁十一身罗汉（L1～11） 22
（二）正壁一身罗汉（L12） 25
二、雕刻时代 25
|
|---|
| ISSN | 10007954 (P); 10007954 (E) |
|---|
| ヒット数 | 156 |
|---|
| 作成日 | 2021.08.18 |
|---|
| 更新日期 | 2021.10.12 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
