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Pussy Riot and Chögyam Trungpa: Reinventing Crazy Holiness for Post-Modernity |
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| 著者 |
Cattoi, Thomas (著)
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| 掲載誌 |
Journal of Dharma Studies: Asian and Transcultural Religion, Philosophy, & Ethics
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| 巻号 | v.3 n.1 |
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| 出版年月日 | 2020.04 |
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| ページ | 59 - 70 |
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| 出版者 | Springer |
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| 出版サイト |
https://www.springer.com/gp
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| 出版地 | Berlin, Germany [柏林, 德國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Authors and Affiliations: Jesuit School of Theology at Santa Clara University, 1735 LeRoy Ave., Berkeley, CA, 94709, USA |
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| キーワード | Antinomianism; Chogyam Trungpa; Crazy saints; Pussy Riots; Russian Orthodoxy; Tibetan Buddhism; yurodstvo |
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| 抄録 | The purpose of this paper is to explore the contemporary postmodern appropriation and reinvention of the practice of “crazy holiness” in Russian Orthodoxy and Tibetan Buddhism, highlighting points of contact and discontinuities between the traditions. The first section of the essay will discuss the Russian phenomenon of yurodstvo, a term used to indicate radical ascetics known for their idiosyncratic behavior and their outspoken criticism of religious and political authorities. The recent phenomenon of the punk group Pussy Riot will then be presented as a contemporary rendition of yurodstvo, in a post-theological context where religious rituals and practices are devoid of their metaphysical import. The second section of the essay will introduce the Tibetan phenomenon of the smyon pa, crazy yogins known for their erratic speech and behavior, but also for their readiness to criticize institutional hypocrisy and corruption. The figure of Chögyam Trungpa (1939–1987), a former Tibetan monastic who started the Shambala tradition of Buddhism, is then presented as a contemporary version of smyon pa; his behavior—despite unfortunate and unjustifiable instances of abuse—similarly enabled practitioners to access the truth of the dharma. This paper presents Pussy Riot and Chögyam Trungpa as postmodern instantiations of crazy holiness—for a post-metaphysical and post-religious world where the divine no longer indwells traditional practices but can be still accessed and displayed through performative subversion.
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| 目次 |
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| ISSN | 25220926 (P); 25220934 (E) |
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| DOI | https://doi.org/10.1007/s42240-020-00067-x |
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| ヒット数 | 53 |
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| 作成日 | 2022.08.18 |
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| 更新日期 | 2022.08.18 |
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