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Painted Palm-Leaf Manuscripts and the Art of the Book in Medieval South Asia |
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| 著者 |
Kim, Jinah (著)
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| 掲載誌 |
Archives of Asian Art
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| 巻号 | v.65 n.1-2 |
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| 出版年月日 | 2015 |
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| ページ | 57 - 86 |
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| 出版者 | Duke University Press |
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| 出版サイト |
https://www.dukeupress.edu/
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| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| 抄録 | What was the main principle behind the design strategies developed to prepare painted palm-leaf manuscripts in medieval South Asia? How did various Indic religious communities design their manuscripts? By bringing together surviving painted manuscripts of heterogeneous religious traditions as well as contemporaneous sculptural representations and textual sources relating to the ritual practices involving books, this study suggests that a book was conceived and designed as a temple in Indic context. Taking innovative design strategies of twelfth-century Buddhist manuscripts as a starting point, it also demonstrates how a larger, architectural approach can help us better understand the art of the book in India. |
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| ISSN | 00666637 (P); 19446497 (E) |
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| DOI | 10.1353/aaa.2016.0001 |
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| ヒット数 | 116 |
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| 作成日 | 2023.01.04 |
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| 更新日期 | 2023.01.04 |
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