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日本藥師寺金堂藥師三尊像與相關唐代佛教造像研究=A Study on the Triad of Buddhist Statues in the Main Hall of the Yakushi-ji Temple in Japan and Similar Statues from the Tang Dynasty |
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著者 |
姚瑤 (著)=Yao, Yao (au.)
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掲載誌 |
敦煌研究=Dunhuang Research
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巻号 | n.3 (總號=n.193) |
出版年月日 | 2022 |
ページ | 71 - 82 |
出版者 | 敦煌研究編輯部 |
出版サイト |
http://www.dha.ac.cn/
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出版地 | 蘭州, 中國 [Lanzhou, China] |
資料の種類 | 期刊論文=Journal Article |
言語 | 中文=Chinese |
ノート | 作者單位:東南大學藝術學院 |
キーワード | 藥師寺=Yakushi-ji Temple; 奈良=Nara; 唐代=Tang dynasty; 佛教藝術=Buddhist art |
抄録 | 本文通過對日本藥師寺金堂三尊像及其周邊造像與相關唐代佛教造像的樣式、形式方面的比較考察,探討了金堂三尊像的年代;并且以這些造像為例,考察了這一時期日本對唐文化的接受情況,認為金堂藥師三尊像的制作應該晚于藥師寺遷至平城京的718年。此三尊像與武周后期及稍后的中國唐代造像有著密切關系,由此可以看出這一時期日本官方對于唐文化積極吸納的態度,也應該注意到,這種吸納并不是對唐代造像的全然模仿,中日兩國這一時期對于佛教造像有著不同的理解。
This paper presents a comparative research on the form, style, and dates of the triad of Buddhist statues in the main hall of the Yakushi-ji Temple in Japan and similar statues from the Tang dynasty. The author also uses this Buddhist artwork as an entry into discussing how Tang dynasty culture was adopted in Japan. This triad of statues closely resembles the statuary of both the later Wu-Zhou dynasty (the period ruled by Empress Wu Zetian) and a slightly later era of the Tang dynasty, which indicates that Japanese officials took a positive attitude toward absorbing Chinese Tang dynasty culture at around this time. For these reasons, it can safely be concluded that these three statues were made after 718 when the Yakushi-ji Temple were moved to Heijokyo. Meanwhile, it is also noteworthy that the style and form of the statues were not entirely imitative of the statuary of the Tang dynasty, as China and Japan held different understandings of Buddhist imagery at the time. |
目次 | (一)“白鳳遷移說” (二)“天平新鑄說” 一主尊像的造型考察 1.頭部 2.身體 3.小結 二日光、月光脅侍菩薩立像的造型考察 1.相關日本造像例 2.相關中國造像例 三藥師三尊像的年代 四8世紀初日本對唐文化的接受 |
ISSN | 10004106 (P) |
DOI | 10.13584/j.cnki.issn1000-4106.2022.03.017 |
ヒット数 | 14 |
作成日 | 2023.04.07 |
更新日期 | 2023.04.07 |
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