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The Privilege of Being Solid |
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| 著者 |
Duncan, Chai Stephen (著)
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| 出版年月日 | 2006.06.19 |
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| ページ | 28 |
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| 出版者 | University of Saskatchewan |
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| 出版サイト |
https://www.usask.ca/
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| 出版地 | Saskatoon, Saskatchewan, Canada [薩斯卡通, 薩斯喀徹溫省, 加拿大] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | University of Saskatchewan |
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| 学部・学科名 | Art and Art History |
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| 指導教官 | Susan Shantz |
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| 抄録 | My thesis exhibition entitled The Privilege of Being Solid is an exploration of the tension that is generated by our desire for an ultimate corporeal security and the realization that nothing is permanent. This tension expresses itself in the world in varying degrees through programs of repression oscillating with periods of chaos. We live in a post-modern era of fragmentation and uncertainty, although modernist attitudes concerned with universals, certainties and a manic desire to control largely guide many of our institutions, political and otherwise. I believe that this desire to control creates cultural anxiety due to the virtual unattainability of certainty and control. This denial of our inherent insecurity, vulnerability and ultimate mortality generates a violence that feeds back into our collective anxiety. The loop perpetuates itself in a cycle of fear, denial and arrogance that fuels a raft of industries devoted to security, feeding off of our communal angst. The very human characteristic that has enabled these circumstances is the subject of this exhibition. It is my intention to reflect some of the contradictions found in our current condition by generating a dialogue between fragility and strength; beauty and the abject; certainty and doubt; liquid and solid; as well as humor and emotional gravity. These contradictions extend to my material of choice as well. With the exception of a two channel video installation, all the works in the exhibition employ encaustic (wax) processes. Although wax appears to be solid, it is in fact classified as a liquid. It is always in flux and unless conditions are ideal, wax remains in a precariously unstable condition. It also reflects in its materiality, a sensuality that is of primary importance to me as an artist, both in terms of the processes in which I engage in my studio, as well as the objects I create for a potential viewer. Through sculptural processes of casting, pouring and melting, encaustic mark making and digital manipulations of physical theater, I want to contrast the forces at work within our lives that seek to control our environment with notions of surrender to the natural state of impermanence in which we reside. I want to reflect the oscillation between the collective desire for security and the knowledge of our inherent fragility and vulnerability. |
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| ヒット数 | 367 |
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| 作成日 | 2023.04.19 |
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| 更新日期 | 2023.04.19 |
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