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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences |
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| 著者 |
Hauser, Laura (著)
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| 出版年月日 | 2009.12 |
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| ページ | 65 |
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| 出版者 | Louisiana State University |
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| 出版サイト |
https://www.lsu.edu/
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| 出版地 | Baton Rouge, LA, US [巴頓魯治, 美國] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 博士 |
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| 学校 | Louisiana State University and Agricultural and Mechanical College |
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| 学部・学科名 | Music |
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| 指導教官 | Beavers, Gabriel |
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| 卒業年 | 2009 |
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| 抄録 | Korean born Isang Yun (1917-1995) was a highly successful composer of Western avant-garde music who infused traditional Korean elements in works composed in a Western musical context. This monograph discusses the use of traditional Korean musical style and performance practices in Isang Yun's Monolog for bassoon, his only solo work for this instrument. Yun draws on a wide variety of East Asian elements for inspiration; from traditional Korean musical stylistic components, genres, and instruments, to Taoist and Buddhist religious philosophy. The Monolog for bassoon exemplifies Yuns application of East Asian elements in his compositions and is a work growing in popularity with performers. However, it has been overlooked for scholarly analysis. This monograph provides pertinent biographical information about Yuns life and musical experiences, an examination of European, religious, and traditional Korean compositional influences, the origin of the Monolog for bassoon, and an in-depth analysis of the work. The analysis focuses on the application of Yuns signature hauptton technique, and how it shapes Yuns synthesis of Korean elements in a piece that, at first hearing, appears to be a typical Western avant-garde work. Specific examples from the Monolog for bassoon are provided and discussed in terms of interpretation and relationship to their Korean inspiration. |
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| DOI | 10.31390/gradschool_dissertations.3011 |
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| ヒット数 | 248 |
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| 作成日 | 2023.05.04 |
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| 更新日期 | 2023.07.05 |
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