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Playing the Patriarch: Representation and Transformation in the Zen Sermon |
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| 著者 |
Joskovich, Erez (著)
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| 掲載誌 |
Journal of the American Academy of Religion
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| 巻号 | v.85 n.2 |
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| 出版年月日 | 2017.06 |
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| ページ | 470 - 493 |
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| 出版者 | Oxford University Press |
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| 出版サイト |
http://ukcatalogue.oup.com/
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| 出版地 | Oxford, UK [牛津, 英國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| 抄録 | In this paper I discuss the characteristics and meaning of the abbot’s sermon in the Japanese Rinzai Zen tradition. Using ethnographic data, viewed in light of performance theory, I contend that it is possible to go beyond the boundaries that have characterized previous scholarly understandings of Zen ritual (action/insight, social/mental, and formalism/authenticity). Accordingly, I demonstrate that the sermon serves as an arena for social interaction, and enforces institutional order, but at the same time, it also serves as a transformative medium that changes the participant's state of being. Finally, I contend that performance theory articulates an inherent connection between realization and enactment, as well as awakening and its manifestation; thus, it has the potential to shed new light on our current understanding of Zen practice. |
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| 目次 | Abstract 470
Setting The Stage 473
Raising The Curtain 477
Performing Buddhahood 480
Epilogue 487
References 489 |
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| ISSN | 00027189 (P); 14774585 (E) |
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| DOI | https://doi.org/10.1093/jaarel/lfw065 |
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| ヒット数 | 99 |
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| 作成日 | 2023.08.10 |
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| 更新日期 | 2023.08.10 |
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