The Kanaganahalli Stupa: An Analysis of the 60 Massive Slabs Covering the Dome

Zin, Monika (著)

著者

Zin, Monika (著)

出版年月日

2018

ページ

242

出版者

Aryan Books International

出版サイト

https://www.aryanbooks.com/

出版地

New Delhi, India [新德里, 印度]

資料の種類

書籍=Book

言語

英文=English

ノート

Monika Zin taught Indian art history at the Ludwig-Maximilans-Universitat in Munich and the Freie Universität Berlin from 1994 to 2016. Among her research contributions are monographs such as Ajanta: Handbook of the Paintings. Devotional and Ornamental Paintings, Harrassowitz 2003 (English edition currently pending publication at the IGNCA); Compassion and Miracles: Difficult Conversions and Their Iconography in Indian Buddhism (in German, Harrassowitz 2006); Samsaracakra: The Wheel of Rebirth in the Indian Tradition (together with Dieter Schlingloff, in German, EKŌ House of Japanese Culture, 2007) and numerous articles on the identification of narrative art and Indian drama. Since 2016, Prof. Zin has led the research team of the Centre ‘Buddhist Murals of Kucha on the Northern Silk Road’ at the Saxon Academy of Sciences in Leipzig/Leipzig University.

抄録

The book delivers a profound analysis of the 60 monumental slabs which covered the dome of the as yet relatively unknown stupa at Kanaganahalli (Karnataka), one of the greatest discoveries of the Archaeological Survey of India in the 20th century. The study presents a stylistic examination of the reliefs and tentatively determines their original sequence. Using the Prakrit inscriptions on the slabs, as well as textual sources in Sanskrit, Pali, and Chinese, the book analyses the contents of the representations and provides comparative pictorial material from Andhra, Ajanta, Sanchi, and Bharhut (159 colour plates). The Kanaganahalli slabs are illustrated in clearly legible line drawings made by the author which have been arranged in the order that a visitor to the Adhalakamahacaitya would have seen them while circumambulating the monument. The book is intended for researchers and lay readers interested in Buddhism and ancient Indian art and culture.

Acknowledgments
List of Illustrations

Introduction
Preliminary Remarks
Original Sequence of the 60 Large Slabs of the KanaganahalliStupa
East→South Quadrant
South→West Quadrant
West→North Quadrant
North→East Quadrant
Concordance of the Numbers of the Slabs and their Placing at theStupaDome
(in some cases hypothetical)
Diagram
On the Relationship between the Order and the Content of the Slabs
General Remarks on the Subjects Represented in Kanaganahalli
Exploring Possibilities Regarding the Identification of the Pictorial Representations on the Slabs

Descriptions and Analysis of the 60 Massive Slabs at the KanaganahalliStupa
East→South Quadrant
1 (1), No.56, Vidhurapanditajataka I
2 (2), No. 57, Vidhurapanditajataka II
3 (3), No. 55, Sadhinajataka I
4 (4), No. 54, Sadhinajataka II
5 (5), No. 53, Sutasomajataka I
6 (6), No. 52, Sutasomajataka II
7 (7), No. 10, Sujata and Nagaraja
8 (8), No. 12, Veneration of the Tree
9 (9), No. 06, Acrobats
10 (10), No. 58, SimukhaSatavahana
11 (11), No. 26, Descent from the Trayastrimsa Heaven
12 (12), No.04, Saptaparna Cave
13 (13), No. 07, Sakyavardhana / Indrasaila
14 (14), No. 02, Maya
15 (15), No. 03, Bodhisatva’s Descent as Elephant / Flying Gods

South→West Quadrant
1 (16), No. 01, Interpretation of Maya’s Dream / Cakra
2 (17), No. 05, Birth of the Buddha / Flying Gods
3 (18), No. 08, Leaving of Kapilavastu
4 (19), No. 09, Ascension of Turban
5 (20), No. 11, Maravijaya
6 (21), No. 14, Soldiers Approaching
7 (22), No. 15, Distribution of Relics
8 (23), No. 17, Transport of Relics I
9 (24), No. 16, Transport of Relics II
10 (25), No. 13, Khalatika Mountain
11 (26), No. 18, King with Child in the Litter / King in the Chariot
12 (27), No. 19, King in the Chariot / King on Elephant
13 (28), No. 20, Man in the Litter / Riders on Lions
14 (29), No. 22, Yaksas in the Himalayas
15 (30), No. 36, Asoka

West→North Quadrant
1 (31), No. 24, Visvantarajataka I
2 (32), No. 25, Visvantarajataka II
3 (33), No. 31, Leaving of Kapilavastu
4 (34), No. 28, Two Monks Teaching / Women and Girls
5 (35), No. 32, Ascension of Turban
6 (36), No. 23, Velamajataka
7 (37), No. 27, Mucalinda / Mahagovinda
8 (38), No. 38, BodhisatvaKusa
9 (39), slab without number, ?
10 (40), No. 29, Hamsajataka / Sukajataka
11 (41), No. 39, Pulumavi Donating Ujjayini
12 (42), No. 30, SundaraSatakarni
13 (43), No. 33, Stupa /Building with Relics
14 (44), No. 34, Bodhi Tree / Lion Pillar
15 (45), No. 00, Asoka / BodhisatvaSomarata

North→East Quadrant
1 (46), No. 37, Stupa/ NagaPandaraka
2 (47), No. 35, Dharmacakra / Building
3 (48), No. 59, Satakarni Donating to Monks
4 (49), No. 40, Matalaka
5 (50), No. 44, ? / Raksasa in Pond
6 (51), No. 41, Saddantajataka I
7 (52), No. 42, Saddantajataka II
8 (53), No. 43, Saddantajataka III
9 (54), No. 46, Stupa inRamagrama / Building
10 (55), No. 48, Cakravartin with Seven Jewels
11 (56), No. 45, Mahakapijataka
12 (57), No. 49, Maravijaya / Udayana
13 (58), No. 50, Maravijaya / Syamavati
14 (59), No. 51, Senakajataka / Kumara A…
15 (60), No. 47, Maravijaya / Sakya Woman

Notes and References
Plates
Figures
Bibliography
Index

ISBN

9788173055898 (hc)

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