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The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu |
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著者 |
Bloom, Phillip E. (著)
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掲載誌 |
Archives of Asian Art
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巻号 | v.68 n.1 |
出版年月日 | 2018.04 |
ページ | 87 - 109 |
出版者 | Duke University Press |
出版サイト |
https://www.dukeupress.edu/
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出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
資料の種類 | 期刊論文=Journal Article |
言語 | 英文=English |
ノート | Author Affiliation: June and Simon K.C. Li Curator of the Chinese Garden & Director of the Center for East Asian Garden Studies |
キーワード | Yuanjuedong; repentance; Zongmi; medium; Belting; image anthropology |
抄録 | Drawing on the Sutra of Perfect Enlightenment (Yuanjuejing) and repentance liturgies such as Zongmi's Manual for Cultivating Realization in the Place of Practice of the Sutra of Perfect Enlightenment (Yuanjuejing daochang xiuzheng yi), this essay examines the visual program of the Southern Song–dynasty Cave of Perfect Enlightenment (Yuanjuedong) at Baodingshan, Dazu. It argues that the cave serves not as an arena for ritual practice per se but instead presents an idealized representation of such a site. In particular, this essay focuses on the conceptual function of the sculpture of the kneeling bodhisattva in the middle of the cave, a figure that finds no exact counterpart in scriptural sources. Investigating the significance of such figures that mediate between worshippers and their deities in various media in the Song, this essay contends that the kneeling bodhisattva not only enacts perpetual reverence on behalf of absent worshippers but also solicits spectatorial self-identification, enabling viewers to imagine themselves into the representational world of scriptural narrative and liturgical practice constructed in the cave. This essay then interrogates the triangular relationship between illusion, matter, and the mind that is thematized in the cave and in liturgies like that by Zongmi. Engaging with Hans Belting's recent work on image anthropology, this essay concludes by suggesting that the cave, its source texts, and related repentance rituals collectively insist on the fundamental irrelevance of all media save the mind itself. Such a notion points to the need to develop a specifically Buddhist theory of images, media, and minds. |
目次 | Abstract 87 Texts and Paratexts 90 The Eternal Mediation of the Kneeling Bodhisattva 95 Illusion, Matter, and Ritual Transcendence 99 Conclusion 102 Acknowledgments 104 Notes 104 Works Cited 104 |
ISSN | 00666637 (P); 19446497 (E) |
DOI | https://doi.org/10.1215/00666637-4342420 |
ヒット数 | 3 |
作成日 | 2024.04.26 |
更新日期 | 2025.01.14 |
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