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Who Moved My Masterpiece? Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto |
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| 著者 |
Yamada, Shoji (著)
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| 掲載誌 |
International Journal of Cultural Property
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| 巻号 | v.24 n.3 |
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| 出版年月日 | 2017.08 |
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| ページ | 295 - 320 |
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| 出版者 | Cambridge University Press |
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| 出版サイト |
http://www.journals.cambridge.org
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| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Author Affiliation: International Research Center for Japanese Studies, Kyoto, Japan
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| キーワード | digital imaging; digital reproduction; preservation; Kyoto; medieval Japanese art; Zen art |
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| 抄録 | In many temples in and around Kyoto, sets of wall and slide door paintings and folding screen paintings, which are designated either national treasures or important cultural properties of Japan, have been replaced in situ by high-quality digital reproductions. The original paintings, in turn, are now largely out of sight, placed in storage spaces within temples and museums. Vanguard projects of this nature were conducted in the mid-1990s. Since the mid-2000s, however, and without adequate review of the merits and demerits of such replacement, the practice has accelerated, and numerous sets of slide door paintings have been replaced by reproductions produced for the most part by two competing corporations. The process and implication of such digital replacement require far greater attention and discussion than has to date taken place. Accordingly, this article seeks to clarify the current status of, and problems arising from, the digitization projects taking place in and around Kyoto. |
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| 目次 | Abstract 295
Keywords 295
INTRODUCTION 295
MERITS OF, AND CONCERNS ABOUT, DIGITAL REPRODUCTION AND REPLACEMENT 297
TRENDS IN DIGITAL REPRODUCTION AND REPLACEMENT 303
TWO BRIEF CASE STUDIES 309
CRITICAL ISSUES 312
PRINCIPLES AND A CODE OF PRACTICE 317
BIBLIOGRAPHY 320 |
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| ISSN | 09407391 (P); 14657317 (E) |
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| DOI | https://doi.org/10.1017/S0940739117000145 |
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| ヒット数 | 59 |
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| 作成日 | 2024.07.12 |
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| 更新日期 | 2024.07.12 |
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