 |
|
|
|
|
|
|
Cinematic Space and Time in the Huayan jing/Hwaŏm kyŏng |
|
|
|
| 著者 |
Cho, Francisca (著)
|
|---|
| 掲載誌 |
International Journal of Buddhist Thought & Culture=국제불교문화사상사학회
|
|---|
| 巻号 | v.34 n.1 Series Four |
|---|
| 出版年月日 | 2024.06 |
|---|
| ページ | 19 - 54 |
|---|
| 出版者 | International Association for Buddhist Thought and Culture |
|---|
| 出版サイト |
http://iabtc.org/
|
|---|
| 出版地 | Seoul, Korea [首爾, 韓國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | Author Affiliation: Georgetown University, USA. |
|---|
| キーワード | Cosmology; ritual; cinema; dharmadhātu; mandalas; Indra’s net |
|---|
| 抄録 | The Buddhist text that originated as the Avataṃsaka-sūtra in India describes a universe that transcends our bounded experience of space and time and which enables instant access to Buddhahood. This reverses the ordinary understanding of enlightenment as both temporally and spatially distant. The premise of instantaneous Buddhahood is a ritual practice that has utilized both literary and visual strategies. When these practices are examined, it is possible to see them as precursors of cinema, with its ability to create an intentional space-time reality. Seeing cinema in this light also highlights the inherently ritual nature of the medium. |
|---|
| 目次 | Abstract 20
Introduction 21
Representing the Dharmadhātu: Mirrors and Mandalas 22
Holographic Linearity in the Daśabhūmikā 27
The Progression of Totality in the Gaṇḍavyūha 32
From Text and Image to Cinema 41
Notes 47
References 52 |
|---|
| ISSN | 15987914 (P) |
|---|
| DOI | 10.16893/IJBTC.2024.06.34.1.19 |
|---|
| ヒット数 | 21 |
|---|
| 作成日 | 2024.08.13 |
|---|
| 更新日期 | 2024.08.16 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
