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理趣経法の本尊宝珠：一法界ソリヤ法の道場観を中心に=The Principal Image Cintāmaṇi of Rishukyō-bō 理趣経法 |
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| 著者 |
鍵和田聖子 (著)=Kagiwada, Seiko (au.)
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| 掲載誌 |
印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū
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| 巻号 | v.71 n.2 (總號=n.159) |
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| 出版年月日 | 2023.03.22 |
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| ページ | 618 - 623 |
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| 出版者 | 日本印度学仏教学会 |
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| 出版サイト |
http://www.jaibs.jp/
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| 出版地 | 東京, 日本 [Tokyo, Japan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 日文=Japanese |
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| キーワード | 一法界ソリヤ法; 理趣経法; 三尊合行法; 真寂; 頼瑜; 弘真 |
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| 抄録 | I have earlier made clear that the visualized principal image of Cintāmaṇi in the visualization protocol of the Ippokai soriya-hō 一法界法 （Secrets of Rishukyō-bō 理趣経法）, was Mikan hōju 密観宝珠, which attracted attention in research on medieval hōju and was regarded as the principal image of the Nyoirin-Kannonhō 如意輪観音法.
Furthermore, from the standpoint of understanding that the Rishukyō-bō is the Hōju-hō 宝珠法, it was found that there was a case of secretly reading the Rishu-kyō （Adhyardhaśatikā prajñāpāramitā） during the Goshichinichi no mishi-hō 後七日御修法.
As this principal image had the character of being a symbol of Mahāvairocana of the non-duality of the Vajradhātu and Garbhadhātu, it was later adopted as the central object of worship when Kōshin 弘真 established the Sanzon Gōgyō-hō 三尊合行法.
The Sanzon Gōgyō-hō is even said to be among the achievements of Cintāmaṇi worship, and the shape of the Cintāmaṇi, which was established as the principal image of the Ippokai soriya-hō and likely influenced the Sanzon Gōgyō-hō, is pointed out.
Therefore, I think that the existence of the Rishukyō-bō as a Hōju-hō called Ippokai soriya-hō can be added as a topic of Cintāmaṇi worship. |
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| 目次 | はじめに 618
一 宝珠と一法界ソリヤ法に関する研究の現状 618
二 一法界ソリヤ法の道場観 619
三 三尊合行法と一法界ソリヤ法の共通点 621
まとめ 622
〈参考文献〉 623 |
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| ISSN | 00194344 (P); 18840051 (E) |
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| DOI | https://doi.org/10.4259/ibk.71.2_618 |
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| ヒット数 | 83 |
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| 作成日 | 2024.10.20 |
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| 更新日期 | 2024.10.25 |
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