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On the Quiet: An Interview with Stefanie Marlis |
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| 著者 |
Elshtain, Eric P. (著)
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| 掲載誌 |
Chicago Review
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| 巻号 | v.51 n.3 Autumn |
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| 出版年月日 | 2005 |
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| ページ | 94 - 102 |
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| 出版者 | University of Chicago |
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| 出版サイト |
https://www.uchicago.edu/en
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| 出版地 | Chicago, IL, US [芝加哥, 伊利諾伊州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| キーワード | authors; fiction; poetics; poetry; poets |
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| 抄録 | This article presents an interview with poet Stefanie Marlis. Marlis' poetry is often described as spare, delicate, and intimate-words that are ultimately too precious to describe the burly things Marlis does with words and phrases. Her poetry is not adjectival; it's built on the actual, not the accidental--there is no difference between word and life. She is the author of four collections of poetry: Slow Joy, rife, fine, and cloudlife. The recipient of the Joseph Henry Jackson Award, and the Brittingham Prize, among other awards, she works as a freelance copywriter. She says that writing copy is like writing poetry, but the practices are also as different as a pool is from a river. According to Marlis, her writing is influenced by Buddhism. She thinks that poetic strategies are useless, worse than useless. They are damaging to the process of fiction writing. |
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| ISSN | 00093696 (P); 23275804 (E) |
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| ヒット数 | 229 |
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| 作成日 | 2006.09.12 |
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| 更新日期 | 2024.04.10 |
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