 |
|
|
|
|
|
|
Early Tibetan Paintings: Sources and Styles (Eleventh-Fourteenth Centuries A.D.) |
|
|
|
| 著者 |
Stoddard, Heather
|
|---|
| 掲載誌 |
Archives of Asian Art
|
|---|
| 巻号 | v.49 |
|---|
| 出版年月日 | 1996 |
|---|
| ページ | 26 - 50 |
|---|
| 出版者 | Duke University Express |
|---|
| 出版サイト |
https://www.dukeupress.edu/
|
|---|
| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | 720
|
|---|
| キーワード | History of Tibetan Painting; Buddhist Painting in Chinese Tibet; Stoddard, Heather |
|---|
| 抄録 | The writer examines the sources and styles of early Tibetan paintings. The period in question covers the first four centuries of what is known in Tibetan as the "Later Diffusion" of Buddhism，which spans from the end of the 10th to the end of the 14th century A.D. Tibetan painting during this period was influenced by broadly diverse sources and depended largely upon its religious and geographical sources. The styles that developed reflected the variety of cultural and religious ties established by the Tibetans with the outside world over the previous centuries of imperial expansion. The study of over 200 thangkas clearly reveals a wide variety of schools of painting and six major styles：Li lugs in Central Tibet in the earliest period; rGya lugs in dBus and Lho kha; Bal ris in gTsang; Kha che lugs in Western Tibet from the earliest period onward; the "Red-Green-Blue-Gold" style，probably in the same period; and the "Eastern Tibetan" style，which may perhaps be part of many substyles that emerged from each of the major styles. |
|---|
| ISSN | 00666637 (P); 19446497 (E) |
|---|
| ヒット数 | 417 |
|---|
| 作成日 | 2001.01.12
|
|---|
| 更新日期 | 2022.03.09 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
